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Why No-One To Love?

Foster Stephen

C | America | 19th Century | Romantic | Parlour Song | Solos

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Widdicombe Fair

Anon

G Flat | England | 18th Century | Traditional | Ballads | Folk Song | Unison | Young Voices

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Widmung

Schumann Robert

A-Flat | 19th Century | Romantic | Lieder | Kunstlieder | Myrthen Op.25 No.1

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Widmung (low)

Schumann Robert

F | Germany | 19th Century | Romantic | Lieder | Kunstlieder | Solos | Alto / Bass-baritone | Myrthen Opus 25 No.1

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Wie Bist Du Meine Konigin

Brahms

E Flat | Germany | 19th Century | Romantic | Lieder | Kunstlieder | Art-song | Op.32 | No.9 | Solos | Georg Friedrich Daumer

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Wie Ist Doch Der Abend

Gebhardt Ernst

A Flat | Germany | 19th Century | Romantic | Hymn | Sacred | SATB | Evening | Unison

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Wie Lenzeshauch Hast Du Mich Stets Erquickt

Jensen Adolf

A-Flat | Germany | 19th Century | Lieder | Kunstlieder | Romantic | Solos

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Wie Melodien Zieht Es Mir (high)

Brahms

C | Germany | 19th Century | Romantic | Lieder | Kunstlieder | Solos | Op.105 No.1

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Wie Melodien Zieht Es Mir (low)

Brahms

A | Germany | 19th Century | Romantic | Lieder | Kunstlieder | Solos | Op.105 No.1

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Wie Nahte Mir Der Schummer - Leise, Leise, Fromme Weise

Weber

E | Germany | 19th Century | Romantic | Opera | Recitative | Aria | Der Freischutz | Act 2 | Sc.1 | Agathe | Soprano | Solos | Friedrich Kind

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