Latest Additions

Gaudete

Traditional

A Minor | 21st Century | England | Latin | Modern | Choral | Sacred |Christmas | A capella | Optional Tambourine | SSAA | Piae Cantiones | Gaudete, gaudete! Christus est natus ex Maria Virgine, gaudete! / Rejoice, rejoice! Christ is born of the Virgin Mary - rejoice! | Anna Lapwood & The Pembroke College Girls’ Choir | 02:09


To Diana (Hymn to Diana)

Parry Sir C H H

E Flat Major | 20th Century | England | English | Three Trios for Female Voices | No. 2 | Modern | Romantic | Part Songs | Choral | Secular | A cappella | SSA | Ben Jonson | Queen and huntress, chaste and fair | 02:00


Wonne Der Wehmut

Beethoven Ludwig van

E Major | 19th Century | Germany | German | Drei Gesänge von Goethe | Op. 83 | No. 1 | Classical | Kunstlieder | Art Song | Solos | Johann Wolfgang von Goethe | Trocknet nicht, trocknet nicht / Do not grow dry, do not grow dry | Delight in Melancholy | 02:38


Wonne Der Wehmut (faster)

Beethoven Ludwig van

E Major | 19th Century | Germany | German | Drei Gesänge von Goethe | Op. 83 | No. 1 | Classical | Kunstlieder | Art Song | Solos | Johann Wolfgang von Goethe | Trocknet nicht, trocknet nicht / Do not grow dry, do not grow dry | Delight in Melancholy | 02:03


Love Me Tender

Presley & Matson

G Major | 20th Century | America | English | Modern | Pop | Ballads | Solos | Love Song | Film Song | Aura Lea | Love me tender, love me sweet, never let me go | 03:15


Wooden Heart

Wise, Weisman, Twomey and Kaempfert

E Flat Major | 20th Century | America | Germany | English | German | Modern | Pop | Folk Song | Solos | Love Song | Film Song | Elvis Presley | G.I. Blues | Muss i denn | Can’t you see I love you/ Muss i denn, muss i denn zum Städtele hinaus | 02:14


Can't Help Falling In Love

Weiss, Peretti and Creatore

F Major | 20th Century | America | English | Modern | Pop | Solos | Love Song | Film Song | Elvis Presley | Blue Hawaii | Plaisir d'amour | Wise men say, only fools rush in | 03:36


Can't Help Falling In Love (slower)

Weiss, Peretti and Creatore

F Major | 20th Century | America | English | Modern | Pop | Solos | Love Song | Film Song | Elvis Presley | Blue Hawaii | Plaisir d'amour | Wise men say, only fools rush in | 04:01


Like An Angel Passing Through My Room

Andersson and Ulvaeus

F Major | 20th Century | Sweden | English | The Visitors | Modern | Pop | Ballad | Solos | Long awaited darkness falls, casting shadows on the walls | 03:23


Lullabye (Goodnight, My Angel)

Joel Billy

G Major | 20th Century | America | English | River of Dreams | No. 7 | Modern | Pop | Ballads | Lullaby | Solo | Goodnight, my angel, time to close your eyes | Mac Huff | 03:57


Bugail Aberdyfi (Sweet Gwen Of Aberdovey)

Lewis Idris

B Flat Major | 20th Century | Wales | Welsh | Alun Mabon | Modern | Art Song | John Ceiriog Hughes (‘Ceiriog’) | Wil Ifan | Mi geisiaf eto ganu cân / I will try again to sing a song | The Shepherd of Aberdovey | 04:19


Baner Ein Gwlad (Our Banner So Fair)

Parry Joseph

A Flat Major | 19th Century | Wales | Welsh | Romantic | Solos | Welsh Song | National Song | Patriotic Song | Mynyddog (Richard Davies) | Mae baner ein gwlad yn chwifio / The banner of our country is waving | 03:05


And I Love Her

Lennon & McCartney

E Major | 20th Century | England | English | A Hard Day’s Night | Modern | Pop | Ballads | Solos | The Beatles | I give her all my love | 02:43


And I Love Her (slower)

Lennon & McCartney

E Major | 20th Century | England | English | A Hard Day’s Night | Modern | Pop | Ballads | Solos | The Beatles | I give her all my love | 03:43


And I Love Her (version 2)

Lennon & McCartney

E Major | 20th Century | England | English | A Hard Day’s Night | Modern | Pop | Ballads | Solos | The Beatles | I give her all my love | 03:43


Ricordati, Mio Ben (Duet From Flavio) (slower)

Handel George Frideric

B Flat Major | 18th Century | England | Germany | Italian | Flavio, re de' Longobardi | HWV 16 | Act I, Scene I | Baroque | Opera | Duets | Arias | Duet: Soprano & Contralto | Vitige and Teodata | Nicola Francesco Haym, after Matteo Noris | Ricordati, mio ben, che se da me tu parti / Remember, my beloved, that if you leave me | 04:55


The Advent

Ireland John

D Major | 20th Century | England | English | Songs Sacred and Profane | No. 1 | Modern | Modern Art Song | Art Song | Kunstlieder | Sacred | Solos | Advent | Alice Meynell | Meditation | No sudden thing of glory and fear / Was the Lord’s coming… | 03:19


The Advent (faster)

Ireland John

D Major | 20th Century | England | English | Songs Sacred and Profane | No. 1 | Modern | Modern Art Song | Art Song | Kunstlieder | Sacred | Solos | Advent | Alice Meynell | Meditation | No sudden thing of glory and fear / Was the Lord’s coming… | 02:52


Bugeilio’R Gwenith Gwyn (Idle Days In Summertime)

Traditional Welsh

D Flat Major | 18th Century | Wales | Welsh | Traditional | Folk Song | Solos | Secular | Wil Hopcyn (William Hopkin) | Mi sydd fachgen ieuanc ffôl, Yn byw yn ôl fy ffansi. (I am a foolish young man, living according to my fancy. / Idle days in summertime, In pleasant sunny weather.) | Watching the Wheat | 03:59


Ar Lan Y Môr (On The Seashore) (6 Verses)

Traditional Welsh

G Major | Wales | Welsh | Traditional | Folk Song | Solos | Secular | Ar lan y môr mae rhosys cochion (On the seashore there are red roses) | Ar Lan y Mor | 03:39


Anhawdd Ymadael (Fy Nghalon / My Heart) (3 Verses)

Traditional Welsh

A Minor | 18th Century | Wales | Welsh | Traditional | Folk Song | Solos | Secular | John Thomas | Fy nghalon, a gefais i oesi mewn byd… (My heart, have I lived in this world but to know…) | Fy Nghalon | 02:39


Suo Gân (Welsh Lullaby) (3 Verses)

Traditional Welsh

D Major | 18th Century | Wales | Welsh | Traditional | Folk Song | Solos | Secular | Lullaby | Robert Bryan | Huna, blentyn, ar fy mynwes, Clyd a chynnes ydyw hon. (Sleep, child, upon my bosom; It is cosy and warm.) | 02:50


Suo Gân (Welsh Lullaby) (4 Verses)

Traditional Welsh

D Major | 18th Century | Wales | Welsh | Traditional | Folk Song | Solos | Secular | Lullaby | Robert Bryan | Huna, blentyn, ar fy mynwes, Clyd a chynnes ydyw hon. (Sleep, child, upon my bosom; It is cosy and warm.) | 03:20


Without A Song

Youmans Vincent

D Flat Major | 20th Century | America | English | Modern | Neo-classical | Stage | Jazz | Jazz Standard |Great Day! | Act II | Lijah | Billy Rose and Edward Eliscu | 02:04


Lift Up Your Voice!

Tate Brian

E Flat Major | 21st Century | Canada | English | Modern | Sacred | Choral | Gospel | Lift up your voice, higher, higher ev'ry day! | 02:52


Smile

Chaplin Charlie

F Major | 20th Century | America | English | Modern | Film song | Popular standard | John Turner and Geoffrey Parsons | Modern Times | Smile, though your heart is aching | 02:52


When I Fall In Love

Young Victor

E Flat Major | 20th Century | America | English | Modern | Pop | Ballads | Film song | Popular standard | Love song | Edward Heyman | One Minute to Zero | When I fall in love, it will be forever | 03:18


Yn Iach I Ti, Gymru (Adieu To Dear Cambria!)

Traditional Welsh

E Flat Major | 18th Century | Wales | Welsh | Traditional | Folk Song | Solos | Secular | John Ceiriog Hughes (‘Ceiriog’) | Yn iach i ti, Gymru, ffarwel i’th fynyddoedd (Farewell to thee, Cymru, farewell! my own mountain) | Llandyfri or Llandovery | Henry Brinley Richards | 02:48


Pe Cawn I Hon (She Must Be Mine)

Traditional Welsh

G Major | 18th Century | Wales | Welsh | Traditional | Folk Song | Solos | Secular | John Ceiriog Hughes (‘Ceiriog’) | Pe cawn i hon yn eiddo i mi (If she would turn her eyes that spurn) | 02:15


Llwyn Onn (The Ash Grove)

Traditional Welsh

A Major | 19th Century | Wales | Welsh | Traditional | Folk Song | Solos | Secular | The Ash Grove | 02:18


Llwyn Onn (The Ash Grove) (slower)

Traditional Welsh

A Major | 19th Century | Wales | Welsh | Traditional | Folk Song | Solos | Secular | Pe cawn i hon yn eiddo i mi, O galon yn fy ngharuIf (I had her as my own, loving me from the heart) | The Ash Grove | 02:20


Ffarwel Mari (Farewell, Mari)

Traditional Welsh

G Minor | Wales | Welsh | Traditional | Folk Song | Solos | Secular | Llew Tegid - Lewis Davies Jones | Ffarwel i Walia, fy ngwlad, ffarwel! (Farewell to Wales, my country, farewell!) | J. Lloyd Williams | 03:13


Ynys Wen (Fairest Isle)

Purcell Henry

F Major | 17th Century | England | Great Britain | English | King Arthur | Z. 628 | Act V, final masque, No. 42 | Baroque | Arias | Opera | Solo | Secular | Venus | John Dryden | Ynys Wen, nad oes ei thebyg (The White Island, like unto which there is none) | 03:17


Siani Tyrd I Ganu (4 Verses)

Traditional Welsh

F Major | 18th Century | Wales | Welsh | Folk Song | Traditional | Solos | Secular | Siani, come and sing. | 04:08


Shenandoah

Traditional American

E Flat Major | 19th Century | America | English | Shanties | Folk Song | Solo | Community singing | Oh Shenandoah, I long to hear you | Henry E Pether | 02:42


Eistedd Ar Ben Llidiart (4 Verses) in tempo

Traditional Welsh

E Flat Major | 18th Century | Wales | Welsh | Romantic | Folk Song | Traditional | So Early in the Morning | 01:52


Eistedd Ar Ben Llidiart (4 Verses)

Traditional Welsh

E Flat Major | 18th Century | Wales | Welsh | Romantic | Folk Song | Traditional | So Early in the Morning | 01:53


Hamvadó Cigarettavég

Hegedűs Tamás

E Flat Major | 20th Century | Hungary | Hungarian | Modern | Chansons | Solo | Slowfox | Táncdal | Hamvadó cigarettavég, ül a hamutálcán, s csendben végigég. | A smouldering cigarette end sits in the ashtray and quietly burns away. | Katalin Karády | 03:24


Hamvadó Cigarettavég (slower)

Hegedűs Tamás

E Flat Major | 20th Century | Hungary | Hungarian | Modern | Chansons | Solo | Slowfox | Táncdal | Hamvadó cigarettavég, ül a hamutálcán, s csendben végigég. | A smouldering cigarette end sits in the ashtray and quietly burns away. | Smouldering Cigarette End | Katalin Karády | 04:08


Souvenance

Franck César

F Sharp Minor | 19th Century | France | Belgium | French | FWV 70 | CFF 143 | Romantic | Mélodies | Art Song | Solos | Secular | Romance | François-René de Chateaubriand | Souvenir du pays de France, also known as Le Montagnard émigré | Combien j’ai douce souvenance | 03:11


Souvenance (faster)

Franck César

F Sharp Minor | 19th Century | France | Belgium | French | FWV 70 | CFF 143 | Romantic | Mélodies | Art Song | Solos | Secular | Romance | François-René de Chateaubriand | Souvenir du pays de France, also known as Le Montagnard émigré | Combien j’ai douce souvenance | 02:38


Logon Mein Prem Hoga

Subramaniam L

D Minor | 21st Century | India | Hindi | Modern | Art Song | Modern Art Song | Solos | Secular | Indian classical influence | Carnatic music | Peace | Love | Harmony | Hope | Sameer Anjaan | There Will Be Love Among People | 03:42


Beth Wna'r Heniaith (What The Old Language Does)

Jones Rhys

G Minor | 20th Century | Wales | Welsh | Modern | Art Song | Modern Art Song | Solos | Eisteddfod repertoire | Aled Lloyd Davies | Digon i mi | Daeth gobaith ’nôl i’r cymoedd (Hope returned to the valleys) | 03:06


Wann Kommst Du, Mein Heil?

Bach J S

C Minor | 18th Century | Germany | German | Wachet Auf, Ruft Uns die Stimme (Church Cantata) | BWV140 | 3 | Baroque | Arias | Duet | Duet: Soprano & Bass | Soul; Jesus | Anonymous, possibly Picander | based on the parable of The Ten Vvirgins | Matthew 25:1–13 | Wenn kömmst du, mein Heil? Ich komme, dein Teil. | 06:16


Whistling Blues

Parker Jim

F Major | 20th Century | England | Jazzed Up Too for Flute | No. 3 | Modern | Jazz | Instrumental | Flute | 02:16


Whistling Blues (slower)

Parker Jim

F Major | 20th Century | England | Jazzed Up Too for Flute | No. 3 | Modern | Jazz | Instrumental | Flute | 02:20


Whistling Blues (faster)

Parker Jim

F Major | 20th Century | England | Jazzed Up Too for Flute | No. 3 | Modern | Jazz | Instrumental | Flute | 02:07


I Will Go With My Father A-Ploughing

Gurney Ivor

E Minor | 20th Century | England | Ireland | English | Modern | Modern Art Song | Kunstlieder | Solos | Autumn/Fall | Joseph Campbell, writing as Seosamh Mac Cathmhaoil | I will go with my father a-ploughing to the green field by the sea | 02:26


Dopo L'orride Procelle

Handel George Frideric

B Flat Major | 18th Century | England | Germany | English | Radamisto | HWV 12b | No. 12 | Act I, Scene XII | Baroque | Da Capo Aria | Opera | Solo | Opera seria | 1721 performing version | Polissena | Nicola Francesco Haym | Domenico Lalli’s L’amor tirannico | Dopo l’orride procelle pure aspetto un dì seren. | 05:02


O Magnum Mysterium

Lauridsen Morten

D Major | 20th Century | America | Latin | Modern | Sacred | Motet | Christmas | Solos | Liturgical responsory for Christmas | O magnum mysterium, et admirabile sacramentum. | 04:47


Mein Freund Ist Mein (with Bassline)

Bach J S

B Flat Major | 18th Century | Germany | German | Wachet Auf, Ruft Uns die Stimme (Church Cantata) | BWV 140 | 6 | Baroque | Arias | Sacred | Duets | Duet: Soprano & Bass | Anonymous cantata text | Song of Songs 2:16 | Mein Freund ist mein, und ich bin sein | 06:04


Mein Freund Ist Mein

Bach J S

B Flat Major | 18th Century | Germany | German | Wachet Auf, Ruft Uns die Stimme (Church Cantata) | BWV 140 | 6 | Baroque | Arias | Sacred | Duets | Duet: Soprano & Bass | Song of Songs 2:16 | Mein Freund ist mein, und ich bin sein | 05:07


Mein Freund Ist Mein (slower)

Bach J S

B Flat Major | 18th Century | Germany | German | Wachet Auf, Ruft Uns die Stimme (Church Cantata) | BWV 140 | 6 | Baroque | Arias | Sacred | Duet: Soprano & Bass | Song of Duets | Songs 2:16 | Mein Freund ist mein, und ich bin sein | 06:04


Blow, Blow, Thou Winter Wind

Dring Madeleine

G Major | 20th Century | England | English | Seven Shakespeare Songs | No. 1 | Modern | Art Song | Modern Art Song | Kunstlieder | Solos | Secular | Shakespeare | As You Like It, Act II, Scene 7 | Blow, blow, thou winter wind, Thou art not so unkind | 01:40


Blow, Blow, Thou Winter Wind (metronome and vocal last 9 bars)

Dring Madeleine

G Major | 20th Century | England | English | Seven Shakespeare Songs | No. 1 | Modern | Art Song | Modern Art Song | Kunstlieder | Solos | Secular | Shakespeare | As You Like It, Act II, Scene 7 | Blow, blow, thou winter wind, Thou art not so unkind | 01:40


He Shall Feed His Flock

Handel George Frideric

E Flat Major | 18th Century | England | Germany | English | Messiah | HWV 56 | Part I: Christ’s healing and redemption | Baroque | Oratorio | Arias | Sacred | Charles Jennens | Isaiah 40:11 | He shall feed his flock like a shepherd. | 04:25


He Shall Feed His Flock (slower)

Handel George Frideric

E Flat Major | 18th Century | England | Germany | English | Messiah | HWV 56 | Part I: Christ’s healing and redemption | Baroque | Oratorio | Arias | Sacred | Charles Jennens | Isaiah 40:11 | He shall feed his flock like a shepherd. | 04:59


He Shall Feed His Flock

Handel George Frideric

F Major | 18th Century | England | Germany | English | Messiah | HWV 56 | Part I: Christ’s healing and redemption | Baroque | Oratorio | Arias | Sacred | Charles Jennens | Isaiah 40:11 | He shall feed his flock like a shepherd. | 04:25


He Shall Feed His Flock (slower)

Handel George Frideric

F Major | 18th Century | England | Germany | English | Messiah | HWV 56 | Part I: Christ’s healing and redemption | Baroque | Oratorio | Arias | Sacred | Charles Jennens | Isaiah 40:11 | He shall feed his flock like a shepherd. | 04:59


Pastoral

Britten Benjamin

B Flat Major | 20th Century | England | English | Serenade for Tenor, Horn and Strings | Op. 31 | No. 1 | Modern | Art Song | Modern Art Song | Kunstlieder | Secular | Night | Evening | Nature | Pastoral | Horn | Charles Cotton | The day's grown old; the fainting sun | 03:24


Pastoral (with horn line)

Britten Benjamin

B Flat Major | 20th Century | England | English | Serenade for Tenor, Horn and Strings | Op. 31 | No. 1 | Modern | Art Song | Modern Art Song | Kunstlieder | Secular | Night | Evening | Nature | Pastoral | Horn | Charles Cotton | The day's grown old; the fainting sun | 03:31


A Green Lowland Of Pianos

Barber Samuel

A Flat Minor | 20th Century | America | English | Three Songs | Op. 45 | No. 2 | Modern | Art Song | Modern Art Song | Kunstlieder | Solos | Secular | Humorous | Satirical | Jerzy Harasymowicz, trans. Czes?aw Mi?osz | 02:08


O Boundless, Boundless Evening

Barber Samuel

G Major | 20th Century | America | English | Three Songs | Op. 45 | No. 3 | Modern | Art Song | Modern Art Song | Kunstlieder | Solos | Secular | 03:24


Barcarola

Gounod Charles

B Flat Major | 19th Century | France | French | CG 336 | Romantic | Duets | Secular | Standalone vocal duet | Duet: Soprano & Tenor | Giuseppe Zaffira | Vedi che bella sera! | Duetto | 03:38


There But For Fortune

Ochs Phil

B Flat Major | 20th Century | America | English | Modern | Protest Songs | Folk Song | Civil rights | Social justice | Community singing | transposed in the style of Joan Baez arrangement | Phil Ochs | Show me the prison, show me the jail | Joan Baez | 03:17


Ballad II (Harp)

Ben-Haim Paul

No fixed key | 20th Century | Israel | Three Songs Without Words | No. 2 | Modern | Vocalise | Israeli classical music | Harp | 02:14


Pan Ddaw'r Nos (When The Night Comes)

Williams Meirion

E Major | 20th Century | Wales | Welsh | Modern | Modern Art Song | Kunstlieder | Solos | Howell Elvet Lewis (Elfed) | Pan ddaw’r nos â’i chysgodion dros y byd (When night comes with its shadows over the world) | 04:23


We Shall Overcome

Traditional

A Flat Major | 20th Century | America | English | Modern | Protest Songs | Folk Song | Civil rights | Gospel | Social justice | Community singing | traditional based on Charles Albert Tindley | Joan Baez | 03:56


We Shall Overcome

Traditional

C Major | 20th Century | America | English | Modern | Protest Songs | Folk Song | Civil rights | Gospel | Social justice | Community singing | traditional based on Charles Albert Tindley | Joan Baez | 03:56


We Shall Overcome (bigger ending)

Traditional

C Major | 20th Century | America | English | Modern | Protest Songs | Folk Song | Civil rights | Gospel | Social justice | Community singing | traditional based on Charles Albert Tindley | Joan Baez | 03:57


Irish Blessings

Gilpin Greg

F Major | 21st Century | America | Ireland | English | Modern | Choral | Secular | Traditional | Folk Song | Concert | Blessing | SAB | 03:24


Meines Herzens Brennende Sehnsucht

Dostal Nico

F Major | 20th Century | Austria | German | Die Flucht ins Glück | Operetta | Modern | Solos | Operetta | Slow Foxtrot | Hermann Hermecke | Meines Herzens brennende Sehnsucht, süßer Traum, bist nur du. | 02:06


Litany To The Holy Spirit

Hurford Peter

E Major | 20th Century | England | English | Sacred Vocal Works | Modern | Anthem | Sacred | Choral | Solos | Unison | Robert Herrick | In the hour of my distress… Sweet Spirit, comfort me! | 02:30


Seufzer

Wolf Hugo

E Minor | 19th Century | Austria | Slovenia | German | Mörike-Lieder | No. 22 | Romantic | Art Song | Kunstlieder | Solos | Sacred | Eduard Mörike | Dein Liebesfeuer, ach Herr! | 02:17


Seufzer (version 2)

Wolf Hugo

E Minor | 19th Century | Austria | Slovenia | German | Mörike-Lieder | No. 22 | Romantic | Art Song | Kunstlieder | Solos | Sacred | Eduard Mörike | Dein Liebesfeuer, ach Herr! | 02:17


I'll Walk Beside You

Murray Alan

B Flat Major | 20th Century | England | English | Romantic | Drawing Room Ballads | Solos | Parlour Songs | Edward Lockton | I’ll walk beside you through the world today | 02:32


I'll Walk Beside You (longer pauses)

Murray Alan

B Flat Major | 20th Century | England | English | Romantic | Drawing Room Ballads | Solos | Parlour Songs | Edward Lockton | I’ll walk beside you through the world today | 02:33


I'll Walk Beside You (slower)

Murray Alan

B Flat Major | 20th Century | England | English | Romantic | Drawing Room Ballads | Solos | Parlour Songs | Edward Lockton | I’ll walk beside you through the world today | 03:02


Heureux Qui, Comme Ulysse (with 4 bar intro)

Joubert Julien

C Minor | 21st Century | France | French | Modern | Choral | Secular | Unison | Children’s choir | Poetry setting | Unison choir | Joachim du Bellay | Les Regrets, Sonnet XXXI | Heureux qui, comme Ulysse, a fait un beau voyage | 01:52


Heureux Qui, Comme Ulysse (with 4 bar intro and reverb)

Joubert Julien

C Minor | 21st Century | France | French | Modern | Choral | Secular | Unison | Children’s choir | Poetry setting | Unison choir | Joachim du Bellay | Les Regrets, Sonnet XXXI | Heureux qui, comme Ulysse, a fait un beau voyage | 03:46


Heureux Qui, Comme Ulysse (with 4 bar intro) (with voice guide)

Joubert Julien

C Minor | 21st Century | France | French | Modern | Choral | Secular | Unison | Children’s choir | Poetry setting | Unison choir | Joachim du Bellay | Les Regrets, Sonnet XXXI | Heureux qui, comme Ulysse, a fait un beau voyage | 01:52


Sure On This Shining Night (Choral Learning Pack)

Barber Samuel

B Flat Major | 20th Century | America | English | Four Songs (SATB and piano adaptation by the composer) | Op 13 | No 3 | Modern | Choral | Choir | SATB | Art song arrangement | Secular | James Agee | 19:23

9 tracks:
Sure On This Shining Night (choral)
Sure On This Shining Night (choral) (with Alto voice guide)
Sure On This Shining Night (choral) (with Bass voice guide)
Sure On This Shining Night (choral) (with Soprano voice guide)
Sure On This Shining Night (choral) (with Tenor voice guide)
Sure On This Shining Night (choral) (Alto line only)
Sure On This Shining Night (choral) (Bass line only)
Sure On This Shining Night (choral) (Soprano line only)
Sure On This Shining Night (choral) (Tenor line only)

Sure On This Shining Night (choral)

Barber Samuel

B Flat Major | 20th Century | America | English | Four Songs (SATB and piano adaptation by the composer) | Op 13 | No 3 | Modern | Choral | Choir | SATB | Art song arrangement | Secular | James Agee | 02:19


Sure On This Shining Night (choral) (with Alto voice guide)

Barber Samuel

B Flat Major | 20th Century | America | English | Four Songs (SATB and piano adaptation by the composer) | Op 13 | No 3 | Modern | Choral | Choir | SATB | Art song arrangement | Secular | James Agee | 02:19


Sure On This Shining Night (choral) (with Bass voice guide)

Barber Samuel

B Flat Major | 20th Century | America | English | Four Songs (SATB and piano adaptation by the composer) | Op 13 | No 3 | Modern | Choral | Choir | SATB | Art song arrangement | Secular | James Agee | 02:19


Sure On This Shining Night (choral) (with Soprano voice guide)

Barber Samuel

B Flat Major | 20th Century | America | English | Four Songs (SATB and piano adaptation by the composer) | Op 13 | No 3 | Modern | Choral | Choir | SATB | Art song arrangement | Secular | James Agee | 02:19


Sure On This Shining Night (choral) (with Tenor voice guide)

Barber Samuel

B Flat Major | 20th Century | America | English | Four Songs (SATB and piano adaptation by the composer) | Op 13 | No 8 | Modern | Choral | Choir | SATB | Art song arrangement | Secular | James Agee | 02:19


Hymne À La Vierge (Choral Learning Pack)

Villette Pierre

F Major | 20th Century | France | French | Op 24 | Modern | Marian (May) Hymns | Sacred | SATB | Choir | Choral | A cappella | Roland Bouhéret | Ô toute belle, Vierge Marie | 50:39

14 tracks:
Hymne À La Vierge
Hymne À La Vierge (with Alto 1 voice guide)
Hymne À La Vierge (with Alto 2 voice guide)
Hymne À La Vierge (with Bass voice guide)
Hymne À La Vierge (with Soprano 1 voice guide)
Hymne À La Vierge (with Soprano 2 voice guide)
Hymne À La Vierge (with Tenor 1 voice guide)
Hymne À La Vierge (with Tenor 2 voice guide)
Hymne À La Vierge (Alto 1 line only)
Hymne À La Vierge (Alto 2 line only)
Hymne À La Vierge (Bass line only)
Hymne À La Vierge (Soprano 1 line only)
Hymne À La Vierge (Soprano 2 line only)
Hymne À La Vierge (Tenor 1 line only)
Hymne À La Vierge (Tenor 2 line only)

Hymne À La Vierge

Villette Pierre

F Major | 20th Century | France | French | Op 24 | Modern | Marian (May) Hymns | Sacred | SATB | Choir | Choral | A cappella | Roland Bouhéret | Ô toute belle, Vierge Marie | 03:25


Hymne À La Vierge (with Alto 1 voice guide)

Villette Pierre

F Major | 20th Century | France | French | Op 24 | Modern | Marian (May) Hymns | Sacred | SATB | Choir | Choral | A cappella | Roland Bouhéret | Ô toute belle, Vierge Marie | 03:25


Hymne À La Vierge (with Alto 2 voice guide)

Villette Pierre

F Major | 20th Century | France | French | Op 24 | Modern | Marian (May) Hymns | Sacred | SATB | Choir | Choral | A cappella | Roland Bouhéret | Ô toute belle, Vierge Marie | 03:25


Hymne À La Vierge (with Bass voice guide)

Villette Pierre

F Major | 20th Century | France | French | Op 24 | Modern | Marian (May) Hymns | Sacred | SATB | Choir | Choral | A cappella | Roland Bouhéret | Ô toute belle, Vierge Marie | 03:25


Hymne À La Vierge (with Soprano 1 voice guide)

Villette Pierre

F Major | 20th Century | France | French | Op 24 | Modern | Marian (May) Hymns | Sacred | SATB | Choir | Choral | A cappella | Roland Bouhéret | Ô toute belle, Vierge Marie | 03:25


Hymne À La Vierge (with Soprano 2 voice guide)

Villette Pierre

F Major | 20th Century | France | French | Op 24 | Modern | Marian (May) Hymns | Sacred | SATB | Choir | Choral | A cappella | Roland Bouhéret | Ô toute belle, Vierge Marie | 03:25


Hymne À La Vierge (with Tenor 1 voice guide)

Villette Pierre

F Major | 20th Century | France | French | Op 24 | Modern | Marian (May) Hymns | Sacred | SATB | Choir | Choral | A cappella | Roland Bouhéret | Ô toute belle, Vierge Marie | 03:25


Hymne À La Vierge (with Tenor 2 voice guide)

Villette Pierre

F Major | 20th Century | France | French | Op 24 | Modern | Marian (May) Hymns | Sacred | SATB | Choir | Choral | A cappella | Roland Bouhéret | Ô toute belle, Vierge Marie | 03:25


Across The Vast Eternal Sky (Choral Learning Pack)

Gjeilo Ola

A Flat Major | 21st Century | Norway | English | Choral work | Modern | Choral | Contemporary choral | Choir | Secular | SATB | Charles Anthony Silvestri | Sunlight shines on my face | 67:30

17 tracks:
Across The Vast Eternal Sky
Across The Vast Eternal Sky (with Alto 1 voice guide)
Across The Vast Eternal Sky (with Alto 2 voice guide)
Across The Vast Eternal Sky (with Bass 1 voice guide)
Across The Vast Eternal Sky (with Bass 2 voice guide)
Across The Vast Eternal Sky (with Soprano 1 voice guide)
Across The Vast Eternal Sky (with Soprano 2 voice guide)
Across The Vast Eternal Sky (with Tenor 1 voice guide)
Across The Vast Eternal Sky (with Tenor 2 voice guide)
Across The Vast Eternal Sky (Alto 1 line only)
Across The Vast Eternal Sky (Alto 2 line only)
Across The Vast Eternal Sky (Bass 1 line only)
Across The Vast Eternal Sky (Bass 2 line only)
Across The Vast Eternal Sky (Soprano 1 line only)
Across The Vast Eternal Sky (Soprano 2 line only)
Across The Vast Eternal Sky (Tenor 1 line only)
Across The Vast Eternal Sky (Tenor 2 line only)

Across The Vast Eternal Sky

Gjeilo Ola

A Flat Major | 21st Century | Norway | English | Choral work | Modern | Choral | Contemporary choral | Choir | Secular | SATB | Charles Anthony Silvestri | Sunlight shines on my face | 04:37


Across The Vast Eternal Sky (with Alto 1 voice guide)

Gjeilo Ola

A Flat Major | 21st Century | Norway | English | Choral work | Modern | Choral | Contemporary choral | Choir | Secular | SATB | Charles Anthony Silvestri | Sunlight shines on my face | 04:37


Across The Vast Eternal Sky (with Alto 2 voice guide)

Gjeilo Ola

A Flat Major | 21st Century | Norway | English | Choral work | Modern | Choral | Contemporary choral | Choir | Secular | SATB | Charles Anthony Silvestri | Sunlight shines on my face | 04:37


Across The Vast Eternal Sky (with Bass 1 voice guide)

Gjeilo Ola

A Flat Major | 21st Century | Norway | English | Choral work | Modern | Choral | Contemporary choral | Choir | Secular | SATB | Charles Anthony Silvestri | Sunlight shines on my face | 04:37


Across The Vast Eternal Sky (with Bass 2 voice guide)

Gjeilo Ola

A Flat Major | 21st Century | Norway | English | Choral work | Modern | Choral | Contemporary choral | Choir | Secular | SATB | Charles Anthony Silvestri | Sunlight shines on my face | 04:37


Across The Vast Eternal Sky (with Soprano 1 voice guide)

Gjeilo Ola

A Flat Major | 21st Century | Norway | English | Choral work | Modern | Choral | Contemporary choral | Choir | Secular | SATB | Charles Anthony Silvestri | Sunlight shines on my face | 04:37


Across The Vast Eternal Sky (with Soprano 2 voice guide)

Gjeilo Ola

A Flat Major | 21st Century | Norway | English | Choral work | Modern | Choral | Contemporary choral | Choir | Secular | SATB | Charles Anthony Silvestri | Sunlight shines on my face | 04:37


Across The Vast Eternal Sky (with Tenor 1 voice guide)

Gjeilo Ola

A Flat Major | 21st Century | Norway | English | Choral work | Modern | Choral | Contemporary choral | Choir | Secular | SATB | Charles Anthony Silvestri | Sunlight shines on my face | 04:37


Across The Vast Eternal Sky (with Tenor 2 voice guide)

Gjeilo Ola

A Flat Major | 21st Century | Norway | English | Choral work | Modern | Choral | Contemporary choral | Choir | Secular | SATB | Charles Anthony Silvestri | Sunlight shines on my face | 04:37


Sure On This Shining Night (Choral Learning Pack)

Lauridsen Morten

D Flat Major | 21st Century | America | English | Nocturnes | Choral work | No 3 | Modern | Choral | Choir | SATB | Contemporary | Secular | James Agee | 40:52

13 tracks:
Sure On This Shining Night
Sure On This Shining Night (with Alto 1 voice guide)
Sure On This Shining Night (with Alto 2 voice guide)
Sure On This Shining Night (with Bass voice guide)
Sure On This Shining Night (with Soprano voice guide)
Sure On This Shining Night (with Tenor 1 voice guide)
Sure On This Shining Night (with Tenor 2 voice guide)
Sure On This Shining Night (Alto 1 line only)
Sure On This Shining Night (Alto 2 line only)
Sure On This Shining Night (Bass line only)
Sure On This Shining Night (Soprano line only)
Sure On This Shining Night (Tenor 1 line only)
Sure On This Shining Night (Tenor 2 line only)

Sure On This Shining Night (with Alto 1 voice guide)

Lauridsen Morten

D Flat Major | 21st Century | America | English | Nocturnes | Choral work | No 3 | Modern | Choral | Choir | SATB | Contemporary | Secular | James Agee | 04:05


Sure On This Shining Night (with Alto 2 voice guide)

Lauridsen Morten

D Flat Major | 21st Century | America | English | Nocturnes | Choral work | No 3 | Modern | Choral | Choir | SATB | Contemporary | Secular | James Agee | 04:05


Sure On This Shining Night (with Bass voice guide)

Lauridsen Morten

D Flat Major | 21st Century | America | English | Nocturnes | Choral work | No 3 | Modern | Choral | Choir | SATB | Contemporary | Secular | James Agee | 04:05


Sure On This Shining Night (with Soprano voice guide)

Lauridsen Morten

D Flat Major | 21st Century | America | English | Nocturnes | Choral work | No 3 | Modern | Choral | Choir | SATB | Contemporary | Secular | James Agee | 04:05


Sure On This Shining Night (with Tenor 1 voice guide)

Lauridsen Morten

D Flat Major | 21st Century | America | English | Nocturnes | Choral work | No 3 | Modern | Choral | Choir | SATB | Contemporary | Secular | James Agee | 04:05


Sure On This Shining Night (with Tenor 2 voice guide)

Lauridsen Morten

D Flat Major | 21st Century | America | English | Nocturnes | Choral work | No 3 | Modern | Choral | Choir | SATB | Contemporary | Secular | James Agee | 04:05


Alleluia (Choral Learning Pack)

Runestad Jake

G Major | 21st Century | America | English | JR0035 | Modern | Choral | Choir | A cappella | Contemporary choral | Sacred | 56:22

18 tracks:
Alleluia (rehearsal piano)
Alleluia (rehearsal piano)(slower)
Alleluia (with Alto 1 voice guide)
Alleluia (with Alto 2 voice guide)
Alleluia (with Bass 1 voice guide)
Alleluia (with Bass 2 voice guide)
Alleluia (with Soprano 1 voice guide)
Alleluia (with Soprano 2 voice guide)
Alleluia (with Tenor 1 voice guide)
Alleluia (with Tenor 2 voice guide)
Alleluia (Alto 1 line only)
Alleluia (Alto 2 line only)
Alleluia (Bass 1 line only)
Alleluia (Bass 2 line only)
Alleluia (Soprano 1 line only)
Alleluia (Soprano 2 line only)
Alleluia (Tenor 1 line only)
Alleluia (Tenor 2 line only)

Alleluia (rehearsal piano)

Runestad Jake

G Major | 21st Century | America | English | JR0035 | Modern | Choral | Choir | A cappella | Contemporary choral | Sacred | 03:12


Alleluia (rehearsal piano) (slower)

Runestad Jake

G Major | 21st Century | America | English | JR0035 | Modern | Choral | Choir | A cappella | Contemporary choral | Sacred | 04:05


Alleluia (with Alto 1 voice guide)

Runestad Jake

G Major | 21st Century | America | English | JR0035 | Modern | Choral | Choir | A cappella | Contemporary choral | Sacred | 03:12


Alleluia (with Alto 2 voice guide)

Runestad Jake

G Major | 21st Century | America | English | JR0035 | Modern | Choral | Choir | A cappella | Contemporary choral | Sacred | 03:12


Alleluia (with Bass 1 voice guide)

Runestad Jake

G Major | 21st Century | America | English | JR0035 | Modern | Choral | Choir | A cappella | Contemporary choral | Sacred | 03:12


Alleluia (with Bass 2 voice guide)

Runestad Jake

G Major | 21st Century | America | English | JR0035 | Modern | Choral | Choir | A cappella | Contemporary choral | Sacred | 03:12


Alleluia (with Soprano 1 voice guide)

Runestad Jake

G Major | 21st Century | America | English | JR0035 | Modern | Choral | Choir | A cappella | Contemporary choral | Sacred | 03:12


Alleluia (with Soprano 2 voice guide)

Runestad Jake

G Major | 21st Century | America | English | JR0035 | Modern | Choral | Choir | A cappella | Contemporary choral | Sacred | 03:12


Alleluia (with Tenor 1 voice guide)

Runestad Jake

G Major | 21st Century | America | English | JR0035 | Modern | Choral | Choir | A cappella | Contemporary choral | Sacred | 03:12


Alleluia (with Tenor 2 voice guide)

Runestad Jake

G Major | 21st Century | America | English | JR0035 | Modern | Choral | Choir | A cappella | Contemporary choral | Sacred | 03:12


Northern Lights (SATB) (Choral Learning Pack)

Gjeilo Ola

B Flat Major | 21st Century | Norway | Latin | Modern | Choral | SATB | Sacred | A cappella | Song of Solomon / Song of Songs 6:4-5 | Pulchra es, amica mea, suavis et decora sicut Jerusalem, | 33:29

9 tracks:
Northern Lights (SATB)
Northern Lights (SATB) (with Alto voice guide)
Northern Lights (SATB) (with Bass voice guide)
Northern Lights (SATB) (with Soprano voice guide)
Northern Lights (SATB) (with Tenor voice guide)
Northern Lights (SATB) (Alto line only)
Northern Lights (SATB) (Bass line only)
Northern Lights (SATB) (Soprano line only)
Northern Lights (SATB) (Tenor line only)

Northern Lights (SATB)

Gjeilo Ola

B Flat Major | 21st Century | Norway | Latin | Modern | Choral | SATB | Sacred | A cappella | Song of Solomon / Song of Songs 6:4-5 | Pulchra es, amica mea, suavis et decora sicut Jerusalem, | 04:19


Northern Lights (SATB) (with Alto voice guide)

Gjeilo Ola

B Flat Major | 21st Century | Norway | Latin | Modern | Choral | SATB | Sacred | A cappella | Song of Solomon / Song of Songs 6:4-5 | Pulchra es, amica mea, suavis et decora sicut Jerusalem, | 04:19


Northern Lights (SATB) (with Bass voice guide)

Gjeilo Ola

B Flat Major | 21st Century | Norway | Latin | Modern | Choral | SATB | Sacred | A cappella | Song of Solomon / Song of Songs 6:4-5 | Pulchra es, amica mea, suavis et decora sicut Jerusalem, | 04:19


Northern Lights (SATB) (with Soprano voice guide)

Gjeilo Ola

B Flat Major | 21st Century | Norway | Latin | Modern | Choral | SATB | Sacred | A cappella | Song of Solomon / Song of Songs 6:4-5 | Pulchra es, amica mea, suavis et decora sicut Jerusalem, | 04:17


Northern Lights (SATB) (with Tenor voice guide)

Gjeilo Ola

B Flat Major | 21st Century | Norway | Latin | Modern | Choral | SATB | Sacred | A cappella | Song of Solomon / Song of Songs 6:4-5 | Pulchra es, amica mea, suavis et decora sicut Jerusalem, | 04:19


The Conversion Of Saul (Choral Learning Pack)

Randall Stroope Z

No fixed key | 20th Century | America | Latin and English | Modern | Choral | Choir | Sacred | A cappella | Richard Cupich | Acts 9:1–22 | Caedite, vexate, ligate vinculis! | 65:37

17 tracks:
The Conversion Of Saul
The Conversion Of Saul (slower)
The Conversion Of Saul (with Bass 1 voice guide)
The Conversion Of Saul (with Tenor 1 voice guide)
The Conversion Of Saul (with Alto 1 voice guide)
The Conversion Of Saul (with Alto 2 voice guide)
The Conversion Of Saul (with Bass 2 voice guide)
The Conversion Of Saul (with Soprano 1 voice guide)
The Conversion Of Saul (with Soprano 2 voice guide)
The Conversion Of Saul (with Tenor 2 voice guide)
The Conversion Of Saul (Alto 1 line only)
The Conversion Of Saul (Alto 2 line only)
The Conversion Of Saul (Bass 1 line only)
The Conversion Of Saul (Bass 2 line only)
The Conversion Of Saul (Soprano 1 line only)
The Conversion Of Saul (Soprano 2 line only)
The Conversion Of Saul (Tenor 1 line only)
The Conversion Of Saul (Tenor 2 line only)

The Conversion Of Saul

Randall Stroope Z

No fixed key | 20th Century | America | Latin and English | Modern | Choral | Choir | Sacred | A cappella | Richard Cupich | Acts 9:1–22 | Caedite, vexate, ligate vinculis! | 03:26


The Conversion Of Saul (slower)

Randall Stroope Z

No fixed key | 20th Century | America | Latin and English | Modern | Choral | Choir | Sacred | A cappella | Richard Cupich | Acts 9:1–22 | Caedite, vexate, ligate vinculis! | 04:02


The Conversion Of Saul (with Bass 1 voice guide)

Randall Stroope Z

No fixed key | 20th Century | America | Latin and English | Modern | Choral | Choir | Sacred | A cappella | Richard Cupich | Acts 9:1–22 | Caedite, vexate, ligate vinculis! | 04:02


The Conversion Of Saul (with Tenor 1 voice guide)

Randall Stroope Z

No fixed key | 20th Century | America | Latin and English | Modern | Choral | Choir | Sacred | A cappella | Richard Cupich | Acts 9:1–22 | Caedite, vexate, ligate vinculis! | 04:02


The Conversion Of Saul (with Alto 1 voice guide)

Randall Stroope Z

No fixed key | 20th Century | America | Latin and English | Modern | Choral | Choir | Sacred | A cappella | Richard Cupich | Acts 9:1–22 | Caedite, vexate, ligate vinculis! | 04:02


The Conversion Of Saul (with Alto 2 voice guide)

Randall Stroope Z

No fixed key | 20th Century | America | Latin and English | Modern | Choral | Choir | Sacred | A cappella | Richard Cupich | Acts 9:1–22 | Caedite, vexate, ligate vinculis! | 04:02


The Conversion Of Saul (with Bass 2 voice guide)

Randall Stroope Z

No fixed key | 20th Century | America | Latin and English | Modern | Choral | Choir | Sacred | A cappella | Richard Cupich | Acts 9:1–22 | Caedite, vexate, ligate vinculis! | 04:02


The Conversion Of Saul (with Soprano 1 voice guide)

Randall Stroope Z

No fixed key | 20th Century | America | Latin and English | Modern | Choral | Choir | Sacred | A cappella | Richard Cupich | Acts 9:1–22 | Caedite, vexate, ligate vinculis! | 04:02


The Conversion Of Saul (with Soprano 2 voice guide)

Randall Stroope Z

No fixed key | 20th Century | America | Latin and English | Modern | Choral | Choir | Sacred | A capella | Richard Cupich | Acts 9:1–22 | Caedite, vexate, ligate vinculis! | 04:02


The Conversion Of Saul (with Tenor 2 voice guide)

Randall Stroope Z

No fixed key | 20th Century | America | Latin and English | Modern | Choral | Choir | Sacred | A cappella | Richard Cupich | Acts 9:1–22 | Caedite, vexate, ligate vinculis! | 04:02


And This Is My Beloved

Wright Robert and George Forrest

D Flat Major | 20th Century | America | English | Kismet | Theatrical work | Modern | Solos | Show tunes | Musical Theatre | Stage | Marsinah & the Caliph | Alexander Borodin - String Quartet No. 2 in D major, third movement, Notturno | Dawn’s promising skies, petals on a pool drifting | 02:28


And This Is My Beloved (ending 2)

Wright Robert and George Forrest

D Flat Major | 20th Century | America | English | Kismet | Theatrical work | Modern | Solos | Show tunes | Musical Theatre | Stage | Marsinah & the Caliph | Alexander Borodin - String Quartet No. 2 in D major, third movement, Notturno | Dawn’s promising skies, petals on a pool drifting | 02:29


And This Is My Beloved

Wright Robert and George Forrest

E Flat Major | 20th Century | America | English | Kismet | Theatrical work | Modern | Solos | Show tunes | Musical Theatre | Stage | Marsinah & the Caliph | Alexander Borodin - String Quartet No. 2 in D major, third movement, Notturno | Dawn’s promising skies, petals on a pool drifting | 02:25


And This Is My Beloved

Wright Robert and George Forrest

D Major | 20th Century | America | English | Kismet | Theatrical work | Modern | Solos | Show tunes | Musical Theatre | Stage | Marsinah & the Caliph | Alexander Borodin - String Quartet No. 2 in D major, third movement, Notturno | Dawn’s promising skies, petals on a pool drifting | 02:29


And This Is My Beloved (ending 2)

Wright Robert and George Forrest

D Major | 20th Century | America | English | Kismet | Theatrical work | Modern | Solos | Show tunes | Musical Theatre | Stage | Marsinah & the Caliph | Alexander Borodin - String Quartet No. 2 in D major, third movement, Notturno | Dawn’s promising skies, petals on a pool drifting | 02:29


And This Is My Beloved (ending 3)

Wright Robert and George Forrest

D Major | 20th Century | America | English | Kismet | Theatrical work | Modern | Solos | Show tunes | Musical Theatre | Stage | Marsinah & the Caliph | Alexander Borodin - String Quartet No. 2 in D major, third movement, Notturno | Dawn’s promising skies, petals on a pool drifting | 02:29


Vous M'Avez Dit

Boulanger Nadia

A Minor | 20th Century | France | French | Les Heures Claires (joinltly composed with Raoul Pugno) | No 3 | Modern | Solos | Mélodies | Émile Verhaeren | Vous m’avez dit, tel soir, des paroles si belles | 02:06


I'll Be Seeing You

Fain Sammy

E Flat Major | 20th Century | America | English | Right This Way | Theatrical work | Act II | Modern | Solos | Jazz | Jazz standard | Torch Song | Stage | Ballads | Popular Song | Mimi | Irving Kahal | Cathedral bells were tolling | I’ll be seeing you in all the old familiar places | Billie Holiday | 02:56


I'll Be Seeing You (with voice guide)

Fain Sammy

E Flat Major | 20th Century | America | English | Right This Way | Theatrical work | Act II | Modern | Solos | Jazz | Jazz standard | Torch Song | Stage | Ballads | Popular Song | Mimi | Irving Kahal | Cathedral bells were tolling | I’ll be seeing you in all the old familiar places | Billie Holiday | 02:56


I'll Be Seeing You (faster)

Fain Sammy

E Flat Major | 20th Century | America | English | Right This Way | Theatrical work | Act II | Modern | Solos | Jazz | Jazz standard | Torch Song | Stage | Ballads | Popular Song | Mimi | Irving Kahal | Cathedral bells were tolling | I’ll be seeing you in all the old familiar places | Billie Holiday | 02:46


I'll Be Seeing You (version 2)

Fain Sammy

E Flat Major | 20th Century | America | English | Right This Way | Theatrical work | Act II | Modern | Solos | Jazz | Jazz standard | Torch Song | Stage | Ballads | Popular Song | Mimi | Irving Kahal | Cathedral bells were tolling | I’ll be seeing you in all the old familiar places | Billie Holiday | 02:03


Fools Rush In

Bloom Rube

C Major | 20th Century | America | English | Modern | Popular Song | Jazz | Jazz standard | Johnny Mercer | Romance is a game for fools, I used to say | Elvis | 03:55


Fools Rush In (with voice guide)

Bloom Rube

C Major | 20th Century | America | English | Modern | Popular Song | Jazz | Jazz standard | Johnny Mercer | Romance is a game for fools, I used to say | Elvis | 03:55


Fools Rush In

Bloom Rube

B Flat Major | 20th Century | America | English | Modern | Popular Song | Jazz | Jazz standard | Johnny Mercer | Romance is a game for fools, I used to say | Elvis | 03:55


Fools Rush In (with voice guide)

Bloom Rube

B Flat Major | 20th Century | America | English | Modern | Popular Song | Jazz | Jazz standard | Johnny Mercer | Romance is a game for fools, I used to say | Elvis | 03:55


Auf, Freue Dich, Seele, Du Bist Nun Getröst

Bach J S

C Major | 18th Century | Germany | German | Denn du wirst meine Seele nicht in der Hölle lassen | Cantata | BMV15 | JLB 21 (later attribution to Johann Ludwig Bach) | No 5 | Baroque | Solos | Arias | Sacred | Easter | Duke Anton Ulrich of Saxe-Meiningen (unconfirmed) | 02:11


Schau Einer Schönen Frau Nie Zu Tief In Die Augen

Raymond Fred

D Major | 20th Century | Austria | Vienna | German | Maske in Blau | Operetta | Act I | Modern | Solos | Günther Schwenn | Frauenblicke geh’n dir oft geheimnisvoll ins Blut | Armando Cellini | 03:36


Ce Que Je Suis Sans Toi

Gounod Charles

E Major | 19th Century | France | Germany | Latin | CG 355 | Romantic | Art Song | Solos | Mélodies | Louis de Peyre | 20 Mélodies, 2e recueil | Ce qu’est le lierre sans l’ormeau | 03:12


Nocturne No 20 (arr for Flute)

Chopin Frédéric

C Sharp Minor | 19th Century | Poland | Polish | WN 37 / B.49 | Romantic | Instrumental | Flute and piano | Nocturnes | Nocturne in C Sharp Minor | Nathan Milstein | 03:39


Le Petit Garcon Trop Bien Portant

Poulenc Francis

F Major | 20th Century | France | French | Quatre chansons pour enfants | FP 75 | No 3 | Modern | Solos | Art Song | Mélodies | Comic Song | Jean Nohain (Jaboune) | Ah ! mon cher docteur, je vous écris | 01:39


Le Petit Garcon Trop Bien Portant (slower)

Poulenc Francis

F Major | 20th Century | France | French | Quatre chansons pour enfants | FP 75 | No 3 | Modern | Solos | Art Song | Mélodies | Comic Song | Jean Nohain (Jaboune) | Ah ! mon cher docteur, je vous écris | 01:45


Es Muss Was Wunderbares Sein

Benatzky Ralph

A Flat Major | 20th Century | Austria | German | The White Horse Inn | Im Weißen Rößl | Operetta | Act I | Modern | Duets | Arias | Leopold & Josepha | Robert Gilbert | Einmal nur, ach bitt schön, einmal nur … | Einmal nur | 02:49


Es Muss Was Wunderbares Sein (slower)

Benatzky Ralph

A Flat Major | 20th Century | Austria | German | The White Horse Inn | Im Weißen Rößl | Operetta | Act I | Modern | Duets | Arias | Leopold & Josepha | Robert Gilbert | Einmal nur, ach bitt schön, einmal nur … | Einmal nur | 03:08


Le Cygne (The Swan)

Saint-Saëns Camille

F Major | 19th Century | France | Carnival of the Animals | Carnival Des Animaux | Orchestral work | R125 | No 13 | Romantic | Instrumental | 02:47


Silver

Armstrong-Gibbs Cecil

F Minor | 20th Century | England | English | Modern | Art Song | Modern Art Song | Walter de la Mare | Peacock Pie: A Book of Rhymes | Slowly, silently now the moon | 01:56


Wishing You Were Somehow Here Again

Lloyd Webber Andrew

B Flat Major | 20th Century | England | English | Phanton of the Opera | Modern | Solos | Stage | Ballads | Christine | Charles Hart / Richard Stilgoe | 03:10


Create In Me A Clean Heart, O God

Mueller Carl F.

E Minor | 20th Century | America | English | Modern | Solos | Sacred | Anthem | Psalm 51:10 | 02:17


Canción De La Infanta (Song Learning pack)

Viardot Pauline

A Minor | 19th Century | France | Spain | French | 6 chansons du XVe siècle | VWV 1123 | No 3 | Romantic | Solos | Art Song | Ballads | voice, piano | Ambrosio Montesino / Louis Pomey | Hablando estaba la reina / En su palacio real | Chanson de l’infante

3 tracks:
Canción De La Infanta
Canción De La Infanta (with voice guide)
Canción De La Infanta (vocal line only)

Canción De La Infanta

Viardot Pauline

A Minor | 19th Century | France | Spain | French | 6 chansons du XVe siècle | VWV 1123 | No 3 | Romantic | Solos | Art Song | Ballads | voice, piano | Ambrosio Montesino / Louis Pomey | Hablando estaba la reina / En su palacio real | Chanson de l’infante | 03:42


Canción De La Infanta (with voice guide)

Viardot Pauline

A Minor | 19th Century | France | Spain | French | 6 chansons du XVe siècle | VWV 1123 | No 3 | Romantic | Solos | Art Song | Ballads | Ambrosio Montesino / Louis Pomey | Hablando estaba la reina / En su palacio real | Chanson de l’infante | 03:42


Jesu! Jesu, dich mit unsern Seelen zu vermählen (with voice guid

Handel

G Major | 18th Century | England | Germany | English | Der für die Sünde der Welt gemarterte und sterbende Jesus (Brockes-Passion) | Sacred Vocal Works | HWV 48 | No 37 | Baroque | Solos | Sacred | Arias | Tochter Zion | Barthold Heinrich Brockes | Jesus! That Our Souls With Thine May Flourish | 01:54


In Paradisum

Quinn Eimear

G Major | 21st Century | Ireland | Latin | Ériu (2020) | Requiem for a Promised Child | Sacred Vocal Works | Modern | Contemporary | Solos | Sacred | Roman Catholic burial rite | In paradisum deducant te angeli | 04:05


End Of A Perfect Day

Kershaw Richard

C Major | 21st Century | England | English | Latin Nights: four Latin-American-inspired pieces for saxophone and piano | Modern | Instrumental | Saxophone | Bossa nova | 01:52


Com'onda Incalza Altr'onda

Handel

C Minor | 18th Century | England | Germany | English | Scipione | Opera | HWV 20 | Act II, Scene 3 | Baroque | Solos | Arias | Sacred | Lament | Da Capo Aria | Berenice | Antonio Salvi’s Publio Cornelio Scipione (1704); ultimately Livy, Ab Urbe Condita, Book 26 | 06:18


Choirs Of Angels

Handel

B Flat Major | 18th Century | England | Germany | English | Oratorio | HWV 51 | Act 1, Scene 2 | Baroque | Sacred | Arias | Deborah | Samuel Humphreys | Book of Judges | Choirs of angels, all around thee | 04:01


Choirs Of Angels (slower)

Handel

B Flat Major | 18th Century | England | Germany | English | Oratorio | HWV 51 | Act 1, Scene 2 | Baroque | Sacred | Arias | Deborah | Samuel Humphreys | Book of Judges | Choirs of angels, all around thee | 04:15


Sind Es Schmerzen, Sind Es Freuden (low)

Brahms Johannes

G Flat Major | 19th Century | Germany | Naples | German | 15 Romanzen aus L Tieck | Die schöne Magelone | Op 33 | No 3 | Romantic | Solos | Art Song | Kunstlieder | Ludwig Tieck | Liebesgeschichte der schönen Magelone und des Grafen Peter von Provence | Sind es Schmerzen, sind es Freuden, die durch meinen Busen ziehn? | Julius Stockhausen | 05:10


Sind Es Schmerzen, Sind Es Freuden (low) (version 2)

Brahms Johannes

G Flat Major | 19th Century | Germany | Naples | German | 15 Romanzen aus L Tieck | Die schöne Magelone | Op 33 | No 3 | Romantic | Solos | Art Song | Kunstlieder | Ludwig Tieck | Liebesgeschichte der schönen Magelone und des Grafen Peter von Provence | Sind es Schmerzen, sind es Freuden, die durch meinen Busen ziehn? | Julius Stockhausen | 05:13


Bel Tempo Che Vola

Lully Jean Baptiste

G Major | 17th Century | France | Italian | Le Bourgeois Gentilhomme | LWV 43 | Act V, Ballet des Nations, No 4 | Baroque | Duets | Opera | Arias | Stage | Parody | Jean-Baptiste Poquelin (Molière) | Molière's play Le Bourgeois Ggentilhomme | Bel tempo che vola rapisce il contento | The fair time that flies carries happiness away | 01:31


Bel Tempo Che Vola (Swung)

Lully Jean Baptiste

G Major | 17th Century | France | Italian | Le Bourgeois Gentilhomme | LWV 43 | Act V, Ballet des Nations, No 4 | Baroque | Duets | Opera | Arias | Stage | Parody | Jean-Baptiste Poquelin (Molière) | Molière's play Le Bourgeois Ggentilhomme | Bel tempo che vola rapisce il contento | The fair time that flies carries happiness away | 01:31


Depuis Longtemps

Bologne Joseph, Chevalier de Saint-Georges

F Major | 18th Century | France | French | L’amant anonyme (The Anonymous Lover) | Opera | Act I, Scene 1 | Classical | Solos | Arias | Valcour | François-Georges Fouques Deshayes, known as Desfontaines | Stéphanie Félicité de Genlis’s play L’Amant anonyme | Depuis longtemps mon cœur soupire et brûle | For a long time my heart has sighed and burned | 02:34


Depuis Longtemps (Harpsichord)

Bologne Joseph, Chevalier de Saint-Georges

F Major | 18th Century | France | French | L’amant anonyme (The Anonymous Lover) | Opera | Act I, Scene 1 | Classical | Solos | Arias | Valcour | François-Georges Fouques Deshayes, known as Desfontaines | Stéphanie Félicité de Genlis’s play L’Amant anonyme | Depuis longtemps mon cœur soupire et brûle | For a long time my heart has sighed and burned | 02:32


Depuis Longtemps (with voice guide)

Bologne Joseph, Chevalier de Saint-Georges

F Major | 18th Century | France | French | L’amant anonyme (The Anonymous Lover) | Opera | Act I, Scene 1 | Classical | Solos | Arias | Valcour | François-Georges Fouques Deshayes, known as Desfontaines | Stéphanie Félicité de Genlis’s play L’Amant anonyme | Depuis longtemps mon cœur soupire et brûle | For a long time my heart has sighed and burned | 02:34


Ruhig Und In Sich Zufrieden

Bach J S

G Minor | 18th Century | Germany | German | Secular Cantata | BWV 204 | No 2 | Baroque | Gelassenheit | Solos | Arias | Christian Friedrich Hunold | Ruhig und in sich zufrieden / Ist der größte Schatz der Welt| Ich bin in mir vergnügt | 08:05


Wie Zittern Und Wanken Der Sünder Gedanken

Bach J S

E Flat Major | 18th Century | Germany | German | Cantata | BWV 105 | No 3 | Baroque | Arias | Sacred | Solos | How the thoughts of sinners tremble and waver | Herr, gehe nicht ins Gericht mit deinem Knecht | 06:43


Abide With Me (arr. Coleman)

Monk W H

E Flat Major | 19th Century | England | English | Hymns | Sacred | SATB | Henry Francis Lyte | Abide with me, fast falls the eventide | Eventide | James P. Coleman | 03:19


Turn! Turn! Turn! (To Every Season) (Choral Learning Pack)

Seeger Pete

B Flat Major | 20th Century | America | English | English | Modern | Choir | Choral | Folk rock | Protest song | Ecclesiastes 3:1-8 | The Byrds | Cristi Cary Miller | 12:56

5 tracks:
Turn! Turn! Turn! (To Every Season)
Turn! Turn! Turn! (To Every Season) - with part 1 voice guide
Turn! Turn! Turn! (To Every Season) - with part 2 voice guide
Turn! Turn! Turn! (To Every Season) - part 1 vocal line only
Turn! Turn! Turn! (To Every Season) - part 2 vocal line only

Turn! Turn! Turn! (To Every Season)

Seeger Pete

B Flat Major | 20th Century | America | English | Modern | Choir | Choral | Folk rock | Protest song | Ecclesiastes 3:1-8 | The Byrds | Cristi Cary Miller | 02:51


Turn! Turn! Turn! (To Every Season) (with part 1 voice guide)

Seeger Pete

B Flat Major | 20th Century | America | English | Modern | Choir | Choral | Folk rock | Protest song | Ecclesiastes 3:1-8 | The Byrds | Cristi Cary Miller | 02:51


Turn! Turn! Turn! (To Every Season) (with part 2 voice guide)

Seeger Pete

B Flat Major | 20th Century | America | English | Modern | Choir | Choral | Folk rock | Protest song | Ecclesiastes 3:1-8 | The Byrds | Cristi Cary Miller | 02:51


The Estuary (faster)

Head Michael

D Major | 20th Century | England | English | Six Poems of Ruth Pitter | No 6 | Modern | Solos | Art Song | Modern Art Song | Ruth Pitter | Light, stillness and peace lie on the broad sands | 04:20


The Estuary (faster) (with voice guide)

Head Michael

D Major | 20th Century | England | English | Six Poems of Ruth Pitter | No 6 | Modern | Solos | Art Song | Modern Art Song | Ruth Pitter | Light, stillness and peace lie on the broad sands | 04:21


The Estuary (slower)

Head Michael

D Major | 20th Century | England | English | Six Poems of Ruth Pitter | No 6 | Modern | Solos | Art Song | Modern Art Song | Ruth Pitter | Light, stillness and peace lie on the broad sands | 04:26


The Estuary (slower)

Head Michael

E Flat Major | 20th Century | England | English | Six Poems of Ruth Pitter | No 6 | Modern | Solos | Art Song | Modern Art Song | Ruth Pitter | Light, stillness and peace lie on the broad sands | 04:26


The Estuary (slower) (with voice guide)

Head Michael

D Major | 20th Century | England | English | Six Poems of Ruth Pitter | No 6 | Modern | Solos | Art Song | Modern Art Song | Ruth Pitter | Light, stillness and peace lie on the broad sands | 04:26


The Estuary (slower) (version 2)

Head Michael

E Flat Major | 20th Century | England | English | Six Poems of Ruth Pitter | No 6 | Modern | Solos | Art Song | Modern Art Song | Ruth Pitter | Light, stillness and peace lie on the broad sands | 04:26


The Estuary (slower) (version 2) (with voice guide)

Head Michael

E Flat Major | 20th Century | England | English | Six Poems of Ruth Pitter | No 6 | Modern | Solos | Art Song | Modern Art Song | Ruth Pitter | Light, stillness and peace lie on the broad sands | 04:26


Handle Nicht Nach Deinen Rechten (Rehearsal Pack)

Bach J S

G Minor | 18th Century | Germany | German | Nimm von uns, Herr, du treuer Gott | Cantata | BWV 101 | Baroque | Solos | Arias | Handle nicht nach deinen Rechten / Mit uns bösen Sündenknechten | 31:14

10 tracks:
Handle Nicht Nach Deinen Rechten (Harpsichord slow)
Handle Nicht Nach Deinen Rechten (Harpsichord fast)
Handle Nicht Nach Deinen Rechten (Harpsichord + Cello slow)
Handle Nicht Nach Deinen Rechten (Harpsichord + Cello fast)
Handle Nicht Nach Deinen Rechten (Piano slow)
Handle Nicht Nach Deinen Rechten (Piano)
Handle Nicht Nach Deinen Rechten (Harpsichord slow voice guide)
Handle Nicht Nach Deinen Rechten (Harpsichord fast voice guide)
Handle Nicht Nach Deinen Rechten (Piano)(with voice guide)
Handle Nicht Nach Deinen Rechten (vocal lines only)

Handle Nicht Nach Deinen Rechten (Harpsichord slow)

Bach J S

G Minor | 18th Century | Germany | German | Nimm von uns, Herr, du treuer Gott | Cantata | BWV 101 | Baroque | Solos | Arias | Handle nicht nach deinen Rechten / Mit uns bösen Sündenknechten | 03:32


Handle Nicht Nach Deinen Rechten (Harpsichord fast)

Bach J S

G Minor | 18th Century | Germany | German | Nimm von uns, Herr, du treuer Gott | Cantata | BWV 101 | Baroque | Solos | Arias | Handle nicht nach deinen Rechten / Mit uns bösen Sündenknechten | 02:53


Handle Nicht Nach Deinen Rechten (Harpsichord + Cello slow)

Bach J S

G Minor | 18th Century | Germany | German | Nimm von uns, Herr, du treuer Gott | Cantata | BWV 101 | Baroque | Solos | Arias | Handle nicht nach deinen Rechten / Mit uns bösen Sündenknechten | 03:33


Handle Nicht Nach Deinen Rechten (Harpsichord + Cello fast)

Bach J S

G Minor | 18th Century | Germany | German | Nimm von uns, Herr, du treuer Gott | Cantata | BWV 101 | Baroque | Solos | Arias | Handle nicht nach deinen Rechten / Mit uns bösen Sündenknechten | 02:54


Handle Nicht Nach Deinen Rechten (Piano slow)

Bach J S

G Minor | 18th Century | Germany | German | Nimm von uns, Herr, du treuer Gott | Cantata | BWV 101 | Baroque | Solos | Arias | Handle nicht nach deinen Rechten / Mit uns bösen Sündenknechten | 03:35


Handle Nicht Nach Deinen Rechten (Piano)

Bach J S

G Minor | 18th Century | Germany | German | Nimm von uns, Herr, du treuer Gott | Cantata | BWV 101 | Baroque | Solos | Arias | Handle nicht nach deinen Rechten / Mit uns bösen Sündenknechten | 03:06


Handle Nicht Nach Deinen Rechten (Harpsichord slow voice guide)

Bach J S

G Minor | 18th Century | Germany | German | Nimm von uns, Herr, du treuer Gott | Cantata | BWV 101 | Baroque | Solos | Arias | Handle nicht nach deinen Rechten / Mit uns bösen Sündenknechten | 03:32


Handle Nicht Nach Deinen Rechten (Harpsichord fast voice guide)

Bach J S

G Minor | 18th Century | Germany | German | Nimm von uns, Herr, du treuer Gott | Cantata | BWV 101 | Baroque | Solos | Arias | Handle nicht nach deinen Rechten / Mit uns bösen Sündenknechten | 02:53


Handle Nicht Nach Deinen Rechten (Piano with voice guide)

Bach J S

G Minor | 18th Century | Germany | German | Nimm von uns, Herr, du treuer Gott | Cantata | BWV 101 | Baroque | Solos | Arias | Handle nicht nach deinen Rechten / Mit uns bösen Sündenknechten | 03:06


The Lord's Prayer

Strals Arnold

E Minor | 21st Century | Australia | English | Modern | Choral | Unison | Sacred | Matthew 6:9-13 | Our Father, who art in heaven | 02:05


The Lord's Prayer (with voice guide)

Strals Arnold

E Minor | 21st Century | Australia | English | Modern | Choral | Unison | Sacred | Matthew 6:9-13 | Our Father, who art in heaven | 02:05


What A Wonderful World

Thiele Bob, Weiss George David

D Major | 20th Century | America | English | Modern | Solos | Popular music | I see trees of green, red roses too | Louis Armstrong | 04:13


What A Wonderful World (version 2)

Thiele Bob, Weiss George David

D Major | 20th Century | America | English | Modern | Solos | Popular music | I see trees of green, red roses too | Louis Armstrong | 04:15


Pilate's Wife (Organ) (Song Learning Pack)

Bach J S

D Major | 18th Century | Germany | German | Matthäus-Passion | St Matthew Passion | Sacred Vocal Works | BWV 244 | No 45 | Part II | Baroque | Recitative | Oratorio | Sacred | Solos | Matthew 27:19 | Habe du nichts zu schaffen mit diesem Gerechten | 3:01

3 tracks:
Pilate's Wife
Pilate's Wife (Organ)(with voice guides except Pilate's wife)
Pilate's Wife (Organ)(with voice guide)

Pilate's Wife

Bach J S

D Major | 18th Century | Germany | German | Matthäus-Passion | St Matthew Passion | Sacred Vocal Works | BWV 244 | No 45 | Part II | Baroque | Recitative | Oratorio | Sacred | Solos | Matthew 27:19 | Habe du nichts zu schaffen mit diesem Gerechten | 01:01


Pilate's Wife (Organ) (with voice guides except Pilate's wife)

Bach J S

D Major | 18th Century | Germany | German | Matthäus-Passion | St Matthew Passion | Sacred Vocal Works | BWV 244 | No 45 | Part II | Baroque | Recitative | Oratorio | Sacred | Solos | Matthew 27:19 | Habe du nichts zu schaffen mit diesem Gerechten | 01:00


Pilate's Wife (Organ)(with voice guide)

Bach J S

D Major | 18th Century | Germany | German | Matthäus-Passion | St Matthew Passion | Sacred Vocal Works | BWV 244 | No 45 | Part II | Baroque | Recitative | Oratorio | Sacred | Solos | Matthew 27:19 | Habe du nichts zu schaffen mit diesem Gerechten | 01:00


La Donna È Mobile

Verdi

B Major | 19th Century | Italy | Italian | Rigoletto | Opera | Act III | Romantic | Solos | Arias | Duke of Mantua | Francesco Maria Piave | La donna è mobile qual piuma al vento | 02:02


Sleep (Choral Learning Pack)

Whitacre Eric

A Flat Major | 21st Century | America | English | Modern | Choral | SATB | Secular | A cappella | Contemporary choral | Charles Anthony Silvestri | The evening hangs beneath the moon | 56:26

17 tracks:
Sleep
Sleep (with Alto 1 voice guide)
Sleep (with Alto 2 voice guide)
Sleep (with Bass 1 voice guide)
Sleep (with Bass 2 voice guide)
Sleep (with Soprano 1 voice guide)
Sleep (with Soprano 2 voice guide)
Sleep (with Tenor 1 voice guide)
Sleep (with Tenor 2 voice guide)
Sleep (Alto 1 line only)
Sleep (Alto 2 line only)
Sleep (Bass 1 line only)
Sleep (Bass 2 line only)
Sleep (Soprano 1 line only)
Sleep (Soprano 2 line only)
Sleep (Tenor 1 line only)
Sleep (Tenor 2 line only)

Sleep

Whitacre Eric

A Flat Major | 21st Century | America | English | Modern | Choral | SATB | Secular | A cappella | Contemporary choral | Charles Anthony Silvestri | The evening hangs beneath the moon | 03:50


Sleep (with Alto 1 voice guide)

Whitacre Eric

A Flat Major | 21st Century | America | English | Modern | Choral | SATB | Secular | A cappella | Contemporary choral | Charles Anthony Silvestri | The evening hangs beneath the moon | 03:52


Sleep (with Alto 2 voice guide)

Whitacre Eric

A Flat Major | 21st Century | America | English | Modern | Choral | SATB | Secular | A cappella | Contemporary choral | Charles Anthony Silvestri | The evening hangs beneath the moon | 03:52


Sleep (with Bass 1 voice guide)

Whitacre Eric

A Flat Major | 21st Century | America | English | Modern | Choral | SATB | Secular | A cappella | Contemporary choral | Charles Anthony Silvestri | The evening hangs beneath the moon | 03:52


Sleep (with Bass 2 voice guide)

Whitacre Eric

A Flat Major | 21st Century | America | English | Modern | Choral | SATB | Secular | A cappella | Contemporary choral | Charles Anthony Silvestri | The evening hangs beneath the moon | 03:52


Sleep (with Soprano 1 voice guide)

Whitacre Eric

A Flat Major | 21st Century | America | English | Modern | Choral | SATB | Secular | A cappella | Contemporary choral | Charles Anthony Silvestri | The evening hangs beneath the moon | 03:52


Sleep (with Soprano 2 voice guide)

Whitacre Eric

A Flat Major | 21st Century | America | English | Modern | Choral | SATB | Secular | A cappella | Contemporary choral | Charles Anthony Silvestri | The evening hangs beneath the moon | 03:52


Sleep (with Tenor 1 voice guide)

Whitacre Eric

A Flat Major | 21st Century | America | English | Modern | Choral | SATB | Secular | A cappella | Contemporary choral | Charles Anthony Silvestri | The evening hangs beneath the moon | 03:52


Sleep (with Tenor 2 voice guide)

Whitacre Eric

A Flat Major | 21st Century | America | English | Modern | Choral | SATB | Secular | A cappella | Contemporary choral | Charles Anthony Silvestri | The evening hangs beneath the moon | 03:52


Were You There (Choral Learning Pack)

Traditional

A Minor | 18th Century | America | English | Romantic | Choral | Choir | Sacred | Spiritual | Were you there when they crucified my Lord? | Robert Olson | 45:34

11 tracks:
Were You There
Were You There (rehearsal piano/SSSA)
Were You There (accompaniment + SSA)
Were You There (with Alto 1 voice guide)
Were You There (with Alto 2 voice guide)
Were You There (with Soprano 1 voice guide)
Were You There (with Soprano 2 voice guide)
Were You There (Alto 1 line only)
Were You There (Alto 2 line only)
Were You There (Soprano 1 line only)
Were You There (Soprano 2 line only)

Were You There

Traditional

A Minor | 18th Century | America | English | Romantic | Choral | Choir | Sacred | Spiritual | Were you there when they crucified my Lord? | Robert Olson | 04:17


Were You There (rehearsal piano/SSSA)

Traditional

A Minor | 18th Century | America | English | Romantic | Choral | Choir | Sacred | Spiritual | Were you there when they crucified my Lord? | Robert Olson | 04:17


Were You There (accompaniment + SSA)

Traditional

A Minor | 18th Century | America | English | Romantic | Choral | Choir | Sacred | Spiritual | Were you there when they crucified my Lord? | Robert Olson | 04:17


Were You There (with Alto 1 voice guide)

Traditional

A Minor | 18th Century | America | English | Romantic | Choral | Choir | Sacred | Spiritual | Were you there when they crucified my Lord? | Robert Olson | 04:18


Were You There (with Alto 2 voice guide)

Traditional

A Minor | 18th Century | America | English | Romantic | Choral | Choir | Sacred | Spiritual | Were you there when they crucified my Lord? | Robert Olson | 04:17


Were You There (with Soprano 1 voice guide)

Traditional

A Minor | 18th Century | America | English | Romantic | Choral | Choir | Sacred | Spiritual | Were you there when they crucified my Lord? | Robert Olson | 04:18


Were You There (with Soprano 2 voice guide)

Traditional

A Minor | 18th Century | America | English | Romantic | Choral | Choir | Sacred | Spiritual | Were you there when they crucified my Lord? | Robert Olson | 04:17


What Was I Made For (Choral Learning Pack)

Eilish Billie

C Major | 21st Century | America | English | Modern | Choir | Choral | Ballads | Pop | Film music | Billie Eilish O'Connell; Finneas O'Connell | Barbie (2023) | I used to float, now I just fall down | Karen-Ivana | 21:16

7 tracks:
What Was I Made For
What Was I Made For (with Alto voice guide)
What Was I Made For (with Soprano 1 voice guide)
What Was I Made For (with Soprano 2 voice guide)
What Was I Made For (Alto line only)
What Was I Made For (Soprano 1 line only)
What Was I Made For (Soprano 2 line only)

What Was I Made For

Eilish Billie

C Major | 21st Century | America | English | Modern | Choir | Choral | Ballads | Pop | Film music | Billie Eilish O'Connell; Finneas O'Connell | Barbie (2023) | I used to float, now I just fall down | Karen-Ivana | 03:43


What Was I Made For (with Alto voice guide)

Eilish Billie

C Major | 21st Century | America | English | Modern | Choir | Choral | Ballads | Pop | Film music | Billie Eilish O'Connell; Finneas O'Connell | Barbie (2023) | I used to float, now I just fall down | Karen-Ivana | 03:43


What Was I Made For (with Soprano 1 voice guide)

Eilish Billie

C Major | 21st Century | America | English | Modern | Choir | Choral | Ballads | Pop | Film music | Billie Eilish O'Connell; Finneas O'Connell | Barbie (2023) | I used to float, now I just fall down | Karen-Ivana | 03:43


What Was I Made For (with Soprano 2 voice guide)

Eilish Billie

C Major | 21st Century | America | English | Modern | Choir | Choral | Ballads | Pop | Film music | Billie Eilish O'Connell; Finneas O'Connell | Barbie (2023) | I used to float, now I just fall down | Karen-Ivana | 03:43


Here, There And Everywhere (Choral Learning Pack)

Lennon & McCartney

C Major | 20th Century | England | English | Modern | Choir | Choral | Ballads | Pop | The Beatles | Revolver | 21:46

7 tracks:
Here, There And Everywhere
Here, There And Everywhere (with Alto voice guide)
Here, There And Everywhere (with Soprano 1 voice guide)
Here, There And Everywhere (with Soprano 2 voice guide)
Here, There And Everywhere (Alto line only)
Here, There And Everywhere (Soprano 1 line only)
Here, There And Everywhere (Soprano 2 line only)

Here, There And Everywhere

Lennon & McCartney

C Major | 20th Century | England | English | Modern | Choir | Choral | Ballads | Pop | The Beatles | Revolver | 03:16


Here, There And Everywhere (with Alto voice guide)

Lennon & McCartney

C Major | 20th Century | England | English | Modern | Choir | Choral | Ballads | Pop || The Beatles | Revolver | 03:16


Here, There And Everywhere (with Soprano 2 voice guide)

Lennon & McCartney

C Major | 20th Century | England | English | Modern | Choir | Choral | Ballads | Pop | The Beatles | Revolver | 03:16


Here, There And Everywhere (with Soprano 1 voice guide)

Lennon & McCartney

C Major | 20th Century | England | English | Modern | Choir | Choral | Ballads | Pop | The Beatles | Revolver | 03:16


Morning Hymn And Alleluia (Choral Learning Pack)

Rodgers Richard

C Major | 20th Century | America | English | The Sound of Music | Musical | Modern | Choral | Hymns | Sacred | Film music | Anthem | Oscar Hammerstein | Latin devotional text by St. Bernard of Clairvaux | Rex admirabilis, et triumphator nobilis | 11:50

7 tracks:
Morning Hymn And Alleluia
Morning Hymn And Alleluia (with Alto voice guide)
Morning Hymn And Alleluia (with Soprano 1 voice guide)
Morning Hymn And Alleluia (with Soprano 2 voice guide)
Morning Hymn And Alleluia (Alto line only)
Morning Hymn And Alleluia (Soprano 1 line only)
Morning Hymn And Alleluia (Soprano 2 line only)

Morning Hymn And Alleluia

Rodgers Richard

C Major | 20th Century | America | English | The Sound of Music | Musical | Modern | Choral | Hymns | Sacred | Film music | Anthem | Oscar Hammerstein | Latin devotional text by St. Bernard of Clairvaux | Rex admirabilis, et triumphator nobilis | 01:47


Morning Hymn And Alleluia (with Alto voice guide)

Rodgers Richard

C Major | 20th Century | America | English | The Sound of Music | Musical | Modern | Choral | Hymns | Sacred | Film music | Anthem | Oscar Hammerstein | Latin devotional text by St. Bernard of Clairvaux | Rex admirabilis, et triumphator nobilis | 01:47


Morning Hymn And Alleluia (with Soprano 1 voice guide)

Rodgers Richard

C Major | 20th Century | America | English | The Sound of Music | Musical | Modern | Choral | Hymns | Sacred | Film music | Anthem | Oscar Hammerstein | Latin devotional text by St. Bernard of Clairvaux | Rex admirabilis, et triumphator nobilis | 01:47


Morning Hymn And Alleluia (with Soprano 2 voice guide)

Rodgers Richard

C Major | 20th Century | America | English | The Sound of Music | Musical | Modern | Choral | Hymns | Sacred | Film music | Anthem | Oscar Hammerstein | Latin devotional text by St. Bernard of Clairvaux | Rex admirabilis, et triumphator nobilis | 01:47


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