Come To The Manger

Traditional

A Flat | Hymns | Sacred | Carols | Christmas

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Come Un Agnello (orignal)

Sarti Giuseppe

A | Italy | 18th Century | Classical | Opera | Aria | Solos | Fra I Due Litiganti (Between Two Litigants)

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Come Un Agnello (simplified accompaniment)

Sarti Giuseppe

A | Italy | 18th Century | Classical | Opera | Aria | Solos | Fra I Due Litiganti (Between Two Litigants)

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Come Ye Blessed

Scott John Prindle

F | America | 20th Century | Romantic | Sacred | Aria | Solos

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Come, Ever Smiling Liberty (aria)

Handel

A | Germany | 18th Century | Baroque | Aria | Da Capo | Judas Maccabeus | Israelite Woman | Soprano

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Come, Ever Smiling Liberty (duet)

Handel

A | Germany | 18th Century | Baroque | Duet | Judas Maccabeus | Israelite Woman | Soprano | Israelite Man | Mezzo or Baritone

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Comes A Train Of Little Ladies

Sullivan Sir Arthur

G | England | 19th Century | Operetta | Chorus | Girls Chorus (entrance) | The Mikado | Act 1 No. 6 | Soprano / Alto | Choral

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Comfort Ye My People

Handel

E | Germany | 18th Century | Recitative | Solos | Recitative | Baroque | Sacred | Tenor | Oratorio | Messiah Part One

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Comfort Ye, My People (3:08)

Handel

E | Germany | 18th Century | Baroque | Oratorio | Aria | Solos | Tenor | Messiah - Part1 No.2 | Sacred

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Comin' Thro' The Rye

Anon

G | 18th Century | Burns Songs | Traditional | Unison | Scottish | Robert Burns

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Come To The Manger

Traditional

A Flat | Hymns | Sacred | Carols | Christmas

Come Un Agnello (orignal)

Sarti Giuseppe

A | Italy | 18th Century | Classical | Opera | Aria | Solos | Fra I Due Litiganti (Between Two Litigants)

Come Un Agnello (simplified accompaniment)

Sarti Giuseppe

A | Italy | 18th Century | Classical | Opera | Aria | Solos | Fra I Due Litiganti (Between Two Litigants)

Come Ye Blessed

Scott John Prindle

F | America | 20th Century | Romantic | Sacred | Aria | Solos

Come, Ever Smiling Liberty (aria)

Handel

A | Germany | 18th Century | Baroque | Aria | Da Capo | Judas Maccabeus | Israelite Woman | Soprano

Come, Ever Smiling Liberty (duet)

Handel

A | Germany | 18th Century | Baroque | Duet | Judas Maccabeus | Israelite Woman | Soprano | Israelite Man | Mezzo or Baritone

Comes A Train Of Little Ladies

Sullivan Sir Arthur

G | England | 19th Century | Operetta | Chorus | Girls Chorus (entrance) | The Mikado | Act 1 No. 6 | Soprano / Alto | Choral

Comfort Ye My People

Handel

E | Germany | 18th Century | Recitative | Solos | Recitative | Baroque | Sacred | Tenor | Oratorio | Messiah Part One

Comfort Ye, My People (3:08)

Handel

E | Germany | 18th Century | Baroque | Oratorio | Aria | Solos | Tenor | Messiah - Part1 No.2 | Sacred

Comin' Thro' The Rye

Anon

G | 18th Century | Burns Songs | Traditional | Unison | Scottish | Robert Burns

Your Songs, Your Way