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Ding Dong Merrily On High (Traditional Key)

Anon

B-Flat | 17th Century | Other | Carols | Secular | Traditional | Young Voices | Choral | SATB | Christmas

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Dolce Amor, Bendato Dio (2:22)

Cavalli

A Minor | Italy | 17th Century | Baroque | Arietta | Solos | Arie Antiche

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Dolce Amor, Bendato Dio (2:36)

Cavalli

A Minor | Italy | 17th Century | Baroque | Arietta | Solos | Arie Antiche

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Dolce Amor, Bendato Dio (low)

Cavalli

F Minor | Italy | 17th Century | Baroque | Arietta | Solos | Arie Antiche

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Dormi, Bella, Dormi Tu?

Bassani

A Flat | Italy | 17th Century | Baroque | Arie Antiche | Solos | Parisotti

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Ecco La Sconsolata Donna

Monteverdi

C | Italy | 17th Century | Baroque | Aria | Opera | L'Incoronazione Di Poppea | Act 1 | Scene 4 | Bass | Seneca | Solos

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Ermuntre Dich (Break Forth, O Beauteous Heavenly Light)

Schop Johann

E Flat | Germany | 17th Century | Chorale | Sacred | Hymn | SATB | Riemenschneider

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Evening Hymn

Purcell Henry

F | England | 17th Century | Baroque | Aria | Sacred | Solos | Hymn | Ground Bass | Now, now that the sun hath veil’d his light

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Fairest Isle (King Arthur)

Purcell Henry

G | England | 17th Century | Aria | Baroque | Opera | Solos

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Fine Knacks For Ladies

Dowland John

F | England | 17th Century | Renaissance | Lute songs | Solos

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