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Come Raggio Di Sol (high)

Caldara

F Minor | Italy | 18th Century | Baroque | Aria | Solos | Soprano / Tenor | first published Gemme D'Antichità No 77

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Come Raggio Di Sol (low)

Caldara

D Minor | Italy | 18th Century | Baroque | Aria | Solos | Baritone / Mezzo | first published as Gemme D'Antichità No.77

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Come Ti Piace Impone

Mozart

F | Austria | 18th Century | Classical | Aria | Duet | La Clemenza di Tito Act 1 | Vitellia and Sesto | Soprano and Mezzo

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Come Un Agnello (orignal)

Sarti Giuseppe

A | Italy | 18th Century | Classical | Opera | Aria | Solos | Fra I Due Litiganti (Between Two Litigants)

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Come Un Agnello (simplified accompaniment)

Sarti Giuseppe

A | Italy | 18th Century | Classical | Opera | Aria | Solos | Fra I Due Litiganti (Between Two Litigants)

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Come, Ever Smiling Liberty (aria)

Handel

A | Germany | 18th Century | Baroque | Aria | Da Capo | Judas Maccabeus | Israelite Woman | Soprano

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Come, Ever Smiling Liberty (duet)

Handel

A | Germany | 18th Century | Baroque | Duet | Judas Maccabeus | Israelite Woman | Soprano | Israelite Man | Mezzo or Baritone

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Comfort Ye My People

Handel

E | Germany | 18th Century | Recitative | Solos | Recitative | Baroque | Sacred | Tenor | Oratorio | Messiah Part One

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Comfort Ye, My People (3:08)

Handel

E | Germany | 18th Century | Baroque | Oratorio | Aria | Solos | Tenor | Messiah - Part1 No.2 | Sacred

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Comin' Thro' The Rye

Anon

G | 18th Century | Burns Songs | Traditional | Unison | Scottish | Robert Burns

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