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He Shall Feed His Flock-Come Unto Him

Handel

F-/BFlat | Germany | 18th Century | Arias | Solos | Baroque | Sacred | Alto | Soprano | Oratorio | Messiah Part One

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He Was Despised

Handel

E Flat | Germany | 18th Century | Baroque | Arias | Sacred | Solos | Alto | The Messiah | Part 2 No.23

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Heart Of Oak

Anon

A Flat | 18th Century | Sea Songs | Traditional | Unison | Young Voices | English

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Heart The Seat Of Soft Delight (with guided recit)

Handel

E Flat | Germany | 18th Century | Baroque | Arias | Solos | Galatea | Acis and Galatea | Act 2

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Heart The Seat Of Soft Delight (with recit secco)

Handel

E Flat | Germany | 18th Century | Baroque | Arias | Solos | Galatea | Acis and Galatea | Act 2

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Hélas, Je Tremble - Barbare Amour

Sacchini

C | Italy | 18th Century | Classical | Opera | Recit and Aria | Soprano | Armida | Renaud | Act2

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Helmsley (Lo! He Comes With Clouds Descending)

Olivers T

G | England | 18th Century | Hymns | Advent Hymn | Christmas | Sacred | SATB | Unison

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Hier Soll Ich Dich Denn Sehen, Konstanze

Mozart

C | Austrian | 18th Century | Classical | Arias | Opera | Solos | Die Entführung aus dem Serail (K. 384) Act1 Sc.1 | Belmonte | Tenor

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Honour And Arms

Handel

B Flat | Germany | 18th Century | Baroque | Arias | Oratorio | Samson | Part 2 | Scene 4 | Harapha | Bass | Solos

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How Beautiful Are The Feet (2:01)

Handel

G Minor | Germany | 18th Century | Baroque | Oratorio | Duets | Alto | Chorus | Messiah | Part 2 | Sc.5 | No.34/38 | Sacred

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