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German-born titan of opera and oratorio
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Guardian Angels

Handel

E Major | Baroque | 18th Century | England | Germany | Oratorio | Solos | The Triumph of Time and Truth (Oratorio)

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Hallelujah Chorus

Handel

D | Germany | 18th Century | Baroque | Sacred | Chorus | Oratorio | SATB | Choral | Messiah Part Two

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Happy Iphis, Thou Shalt Live (with recit)

Handel

G Major | 18th Century | England | Baroque | Oratorio | Solos| Jephtha | HWV 70 |

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Happy We

Handel

C | Germany | 18th Century | Baroque | Serenata | Duets | Acis and Galatea Act 1 (HWV 49) | Masque | Pastoral Opera | Soprano and Tenor

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He Shall Feed His Flock

Handel George Frideric

F Major | 18th Century | England | Germany | English | Messiah | HWV 56 | Part I: Christ’s healing and redemption | Baroque | Oratorio | Arias | Sacred | Charles Jennens | Isaiah 40:11 | He shall feed his flock like a shepherd. | 04:25

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He Shall Feed His Flock

Handel George Frideric

E Flat Major | 18th Century | England | Germany | English | Messiah | HWV 56 | Part I: Christ’s healing and redemption | Baroque | Oratorio | Arias | Sacred | Charles Jennens | Isaiah 40:11 | He shall feed his flock like a shepherd. | 04:25

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He Shall Feed His Flock (slower)

Handel George Frideric

F Major | 18th Century | England | Germany | English | Messiah | HWV 56 | Part I: Christ’s healing and redemption | Baroque | Oratorio | Arias | Sacred | Charles Jennens | Isaiah 40:11 | He shall feed his flock like a shepherd. | 04:59

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He Shall Feed His Flock (slower)

Handel George Frideric

E Flat Major | 18th Century | England | Germany | English | Messiah | HWV 56 | Part I: Christ’s healing and redemption | Baroque | Oratorio | Arias | Sacred | Charles Jennens | Isaiah 40:11 | He shall feed his flock like a shepherd. | 04:59

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He Shall Feed His Flock-Come Unto Him

Handel

F-/BFlat | Germany | 18th Century | Arias | Solos | Baroque | Sacred | Alto | Soprano | Oratorio | Messiah Part One

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He Was Despised

Handel

E Flat | Germany | 18th Century | Baroque | Arias | Sacred | Solos | Alto | The Messiah | Part 2 No.23

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