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Vocal solos from oratorio or opera
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Waft Her, Angels

Handel

B Major | 18th Century | England | Baroque | Oratorio | Arias | Solos | Sacred | Jephtha

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Waft Her, Angels (Baroque Pitch)

Handel

G Flat | Germany | 18th Century | Baroque | Arias | Sacred | Oratorio | Jephtha | No 53 | Tenor

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Waltz (C'est Ici L'Endroit)

Offenbach

D | France | 19th Century | Romantic | Operetta | Arias | La vie Parisienne Act 5 #22 | Metella | Soprano | Solos

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Wann Kommst Du, Mein Heil?

Bach J S

C Minor | 18th Century | Germany | German | Wachet Auf, Ruft Uns die Stimme (Church Cantata) | BWV140 | 3 | Baroque | Arias | Duet | Duet: Soprano & Bass | Soul; Jesus | Anonymous, possibly Picander | based on the parable of The Ten Vvirgins | Matthew 25:1–13 | Wenn kömmst du, mein Heil? Ich komme, dein Teil. | 06:16

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Warm As The Autumn Light

Moore Douglas

E | America | 20th Century | Modern | Opera | Arias | The Ballad Of Baby Doe | Act 1 | Sc.2 | Horace Tabor | Baritone | Solos | John Latouche

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Warnung (Männer suchen stets zu naschen) (K433/416b)

Mozart

F | Austria | 18th Century | Classical | Arias | Solos

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Wer Will Heut Nacht Mein Liebster Sein?

Lehár Franz

G Minor | Hungary | 20th Century | Romantic | Operetta | Arias | Paganini | Anna Elisa | Soprano | Solos

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What A Curse For a Woman - Steal Me, Sweet Thief (5:29)

Menotti Gian Carlo

D Minor | Italy | 20th Century | Modern | Opera | Recitative | Arias | Laetitia | Soprano | The Old Maid and the Thief | Sc.6 | originally Funkoper or Radio Opera

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What A Sad Fate

Purcell Henry

A Minor | England | 17th Century | Baroque | Arias | Solos

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What Power Art Thou, Who From Below

Purcell Henry

C Minor | England | 17th Century | Baroque | Arias | Opera | King Arthur | Act 3 | No.20 | Masque | The Frost Scene | The Cold Song | Cold Genius | Bass

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