Genre > Duets

Musical twosomes

Caro! Bella! Più Amabile BeltÃ

Handel

G | Germany | 18th Century | Baroque | Opera | Duet | Giulio Cesare (Act 3) | Cesare and Cleopatra | mezzo and soprano

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Charming Weather (The Arcadians)

Monckton Lionel

B-Flat | 20th Century | Stage | Operetta | Solos | Duets

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Christe Eleison (Mass in B Minor)

Bach J S

D | Germany | 18th Century | Baroque | Duet | Oratorio | Soprano and Mezzo Soprano | Mass in B Minor (BWV 232)

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Come Ti Piace Impone

Mozart

F | Austria | 18th Century | Classical | Aria | Duet | La Clemenza di Tito Act 1 | Vitellia and Sesto | Soprano and Mezzo

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Come, Ever Smiling Liberty (duet)

Handel

A | Germany | 18th Century | Baroque | Duet | Judas Maccabeus | Israelite Woman | Soprano | Israelite Man | Mezzo or Baritone

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Crudel! Perchè Finora

Mozart

A | Austria | 18th Century | Classical | Duets | Opera | Bass-Baritone | Soprano | The Marriage of Figaro | Act III NÂ°17

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Domine Deus

Mozart

D Minor | Austria | 18th Century | Classical | Oratorio | Duet | Soprano 1 and 2 | Mass in C Minor (K. 427) | Grosse Messe in C-Moll | Sacred

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Domine Deus (basso continuo only, no violin, no voicelines)

Bach JS

C Major | Baroque | 18th Century | Germany | Arias | Duets | Sacred | Mass | Continuo | Mass in G Major (BVW 236)

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Domine Deus (basso continuo, violin and Soprano voiceline)

Bach JS

C Major | Baroque | 18th Century | Germany | Arias | Duets | Sacred | Mass | Continuo | Mass in G Major (BVW 236) | (all parts except Alto) (basso continuo, violin and Soprano voiceline)

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Domine Deus (Mass in B Minor)

Bach J S

G | Germany | 18th Century | Baroque | Oratorio | Sacred | Duet | Duet: Soprano & Tenor | Mass in B Minor | BWV 232

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Genre > Duets

Caro! Bella! Più Amabile BeltÃ

Handel

G | Germany | 18th Century | Baroque | Opera | Duet | Giulio Cesare (Act 3) | Cesare and Cleopatra | mezzo and soprano

Charming Weather (The Arcadians)

Monckton Lionel

B-Flat | 20th Century | Stage | Operetta | Solos | Duets

Christe Eleison (Mass in B Minor)

Bach J S

D | Germany | 18th Century | Baroque | Duet | Oratorio | Soprano and Mezzo Soprano | Mass in B Minor (BWV 232)

Come Ti Piace Impone

Mozart

F | Austria | 18th Century | Classical | Aria | Duet | La Clemenza di Tito Act 1 | Vitellia and Sesto | Soprano and Mezzo

Come, Ever Smiling Liberty (duet)

Handel

A | Germany | 18th Century | Baroque | Duet | Judas Maccabeus | Israelite Woman | Soprano | Israelite Man | Mezzo or Baritone

Crudel! Perchè Finora

Mozart

A | Austria | 18th Century | Classical | Duets | Opera | Bass-Baritone | Soprano | The Marriage of Figaro | Act III NÂ°17

Domine Deus

Mozart

D Minor | Austria | 18th Century | Classical | Oratorio | Duet | Soprano 1 and 2 | Mass in C Minor (K. 427) | Grosse Messe in C-Moll | Sacred

Domine Deus (basso continuo only, no violin, no voicelines)

Bach JS

C Major | Baroque | 18th Century | Germany | Arias | Duets | Sacred | Mass | Continuo | Mass in G Major (BVW 236)

Domine Deus (basso continuo, violin and Soprano voiceline)

Bach JS

C Major | Baroque | 18th Century | Germany | Arias | Duets | Sacred | Mass | Continuo | Mass in G Major (BVW 236) | (all parts except Alto) (basso continuo, violin and Soprano voiceline)

Domine Deus (Mass in B Minor)

Bach J S

G | Germany | 18th Century | Baroque | Oratorio | Sacred | Duet | Duet: Soprano & Tenor | Mass in B Minor | BWV 232

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