Genre > Opera

Musical dramas: comic or serious, expressive or narrative

Bella Vittoria Per Te Mio Core

Bononcini

B Flat | Italy | 18th Century | Baroque | Aria | Solos | from 'Il trionfo di Camilla regina de Volsci'

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Bester Jüngling

Mozart

E Flat | Austria | 18th Century | Classical | Opera | Aria | Solos | Der Schauspieldirektor (The Impresario)

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Bois Epais (Sombre Woods)

Lully Jean Baptiste

F | 17th Century | Baroque | Arias | Secular | Opera | Amadis | Solo | France

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But Ere We This Perform (1:33)

Purcell Henry

D Minor | England | 17th Century | Baroque | Opera | Duet | Dido and Aeneas | Act 2 | Sc.1 | Two Witches | Nahum Tate

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But Ere We This Perform (2:16)

Purcell Henry

D Minor | England | 17th Century | Baroque | Duet | Opera | Dido and Aeneas | Act 2 | Two Witches | Nahum Tate

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C'est Des Contrebandiers (recit for Micaela's Aria)

Bizet

| France | 19th Century | Romantic | Recitative | Solos | Carmen | Act 3 | Micaela's Aria

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C'est L'Amour Vainqueur (The Violin Aria)

Offenbach

D Major | 19th Century | France | Romantic | Opera | Solos | Arias | The Violin Aria | Les Contes d'Hoffmann - Offenbach

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C'est L'Amour Vainqueur (The Violin Aria) (no accelerando)

Offenbach

D Major | 19th Century | France | Romantic | Opera | Solos | Arias | The Violin Aria | Les Contes d'Hoffmann - Offenbach

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Caldo Sangue (4:31)

Scarlatti Alessandro

B Minor | Italy | 18th Century | Baroque | Opera | Aria | Soprano / Counter Tenor | Sedecia Re Di Gerusalemme | Ismaele | Part 2

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Caldo Sangue (5:15)

Scarlatti Alessandro

B Minor | Italy | 18th Century | Baroque | Opera | Aria | Soprano / Counter Tenor | Sedecia Re Di Gerusalemme | Ismaele | Part 2

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Genre > Opera

Bella Vittoria Per Te Mio Core

Bononcini

B Flat | Italy | 18th Century | Baroque | Aria | Solos | from 'Il trionfo di Camilla regina de Volsci'

Bester Jüngling

Mozart

E Flat | Austria | 18th Century | Classical | Opera | Aria | Solos | Der Schauspieldirektor (The Impresario)

Bois Epais (Sombre Woods)

Lully Jean Baptiste

F | 17th Century | Baroque | Arias | Secular | Opera | Amadis | Solo | France

But Ere We This Perform (1:33)

Purcell Henry

D Minor | England | 17th Century | Baroque | Opera | Duet | Dido and Aeneas | Act 2 | Sc.1 | Two Witches | Nahum Tate

But Ere We This Perform (2:16)

Purcell Henry

D Minor | England | 17th Century | Baroque | Duet | Opera | Dido and Aeneas | Act 2 | Two Witches | Nahum Tate

C'est Des Contrebandiers (recit for Micaela's Aria)

Bizet

| France | 19th Century | Romantic | Recitative | Solos | Carmen | Act 3 | Micaela's Aria

C'est L'Amour Vainqueur (The Violin Aria)

Offenbach

D Major | 19th Century | France | Romantic | Opera | Solos | Arias | The Violin Aria | Les Contes d'Hoffmann - Offenbach

C'est L'Amour Vainqueur (The Violin Aria) (no accelerando)

Offenbach

D Major | 19th Century | France | Romantic | Opera | Solos | Arias | The Violin Aria | Les Contes d'Hoffmann - Offenbach

Caldo Sangue (4:31)

Scarlatti Alessandro

B Minor | Italy | 18th Century | Baroque | Opera | Aria | Soprano / Counter Tenor | Sedecia Re Di Gerusalemme | Ismaele | Part 2

Caldo Sangue (5:15)

Scarlatti Alessandro

B Minor | Italy | 18th Century | Baroque | Opera | Aria | Soprano / Counter Tenor | Sedecia Re Di Gerusalemme | Ismaele | Part 2

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