Come Raggio Di Sol (low)

Caldara

D Minor | Italy | 18th Century | Baroque | Aria | Solos | Baritone / Mezzo | first published as Gemme D'Antichità No.77

Come Ti Piace Impone

Mozart

F | Austria | 18th Century | Classical | Aria | Duet | La Clemenza di Tito Act 1 | Vitellia and Sesto | Soprano and Mezzo

Come To Me In My Dreams (low)

Bridge Frank

D Flat | England | 20th Century | Modern | Modern Art-song | Kunstlieder | Art-song | Solo | H.71 | Matthew Arnold

Come, Ever Smiling Liberty (aria)

Handel

A | Germany | 18th Century | Baroque | Aria | Da Capo | Judas Maccabeus | Israelite Woman | Soprano

Come, Ever Smiling Liberty (duet)

Handel

A | Germany | 18th Century | Baroque | Duet | Judas Maccabeus | Israelite Woman | Soprano | Israelite Man | Mezzo or Baritone

Comes A Train Of Little Ladies

Sullivan Sir Arthur

G | England | 19th Century | Operetta | Chorus | Girls Chorus (entrance) | The Mikado | Act 1 No. 6 | Soprano / Alto | Choral

Comfort Ye My People

Handel

E | Germany | 18th Century | Recitative | Solos | Recitative | Baroque | Sacred | Tenor | Oratorio | Messiah Part One

Comfort Ye, My People (3:08)

Handel

E | Germany | 18th Century | Baroque | Oratorio | Aria | Solos | Tenor | Messiah - Part1 No.2 | Sacred

Comin' Thro' The Rye

Anon

G | 18th Century | Burns Songs | Traditional | Unison | Scottish | Robert Burns

Concone: Forty Lessons Contralto - Vol 01

Concone

25 Accompaniment tracks

Forty Lessons Contralto | Vocal Exercise