Piano Accompaniment MP3s tagged No 1

Don Juan's Serenade

Tchaikovsky Pyotr Ilyich

B Minor | Russia | 19th Century | Romantic | Lieder | Kunstlieder | Art Song | Solo | Bass

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Donkey Riding

Anon

E-Flat | 19th Century | England | Traditional | Shanties | Unison | Young Voices

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Dopo L'Oscuro Nembo (Romanza)

Bellini

F Minor | Italy | 19th Century | Romantic | Aria | Adelson e Salvini | Act 1 | Nelly | Soprano | Solos

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Dors, Ami

Massenet

B Flat | France | 19th Century | Romantic | Opera | Aria | Solos | Mezzo Soprano | Lazarille | Don César de Bazan

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Dove Sei Amato Bene (Prout ed.)

Handel

E | Germany | 18th Century | Baroque | Aria | Opera | Rodelinda | Mezzo-Soprano | Contralto | Da Capo Aria | Art Thou Troubled

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Dove Sei? Amato Bene! (4:22)

Handel

E | Germany | 18th Century | Baroque | Opera | Aria | Rodelinda (Act !) | Bertarido | Mezzo-Soprano | Contralto | Da Capo aria |'Art Thou Troubled'

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Dove Sei? Amato Bene! (4:48)

Handel

E | Germany | 18th Century | Baroque | Opera | Aria | Rodelinda (Act !) | Bertarido | Mezzo-Soprano | Contralto | Da Capo Aria | 'Art Thou Troubled'

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Dove Sei? with recit 'Pompe Vane Di Morte' (6:08)

Handel

E | Germany | 18th Century | Baroque | Opera | Aria | Rodelinda (Act !) | Bertarido | Mezzo-Soprano | Contralto | Da Capo Aria | 'Art Thou Troubled'

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Dove Sono I Bei Momenti

Mozart

C | Austria | 18th Century | Classical | Opera | Aria | Marriage of Figaro | Solo | Soprano | Act III Scene 8

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Dover Beach (7:41)

Barber Samuel

D Minor | America | 20th Century | Modern | Poem setting | Medium Voice and String Quartet | Op.3 | Matthew Arnold

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Piano Accompaniment MP3s tagged No 1

Don Juan's Serenade

Tchaikovsky Pyotr Ilyich

B Minor | Russia | 19th Century | Romantic | Lieder | Kunstlieder | Art Song | Solo | Bass

Donkey Riding

Anon

E-Flat | 19th Century | England | Traditional | Shanties | Unison | Young Voices

Dopo L'Oscuro Nembo (Romanza)

Bellini

F Minor | Italy | 19th Century | Romantic | Aria | Adelson e Salvini | Act 1 | Nelly | Soprano | Solos

Dors, Ami

Massenet

B Flat | France | 19th Century | Romantic | Opera | Aria | Solos | Mezzo Soprano | Lazarille | Don César de Bazan

Dove Sei Amato Bene (Prout ed.)

Handel

E | Germany | 18th Century | Baroque | Aria | Opera | Rodelinda | Mezzo-Soprano | Contralto | Da Capo Aria | Art Thou Troubled

Dove Sei? Amato Bene! (4:22)

Handel

E | Germany | 18th Century | Baroque | Opera | Aria | Rodelinda (Act !) | Bertarido | Mezzo-Soprano | Contralto | Da Capo aria |'Art Thou Troubled'

Dove Sei? Amato Bene! (4:48)

Handel

E | Germany | 18th Century | Baroque | Opera | Aria | Rodelinda (Act !) | Bertarido | Mezzo-Soprano | Contralto | Da Capo Aria | 'Art Thou Troubled'

Dove Sei? with recit 'Pompe Vane Di Morte' (6:08)

Handel

E | Germany | 18th Century | Baroque | Opera | Aria | Rodelinda (Act !) | Bertarido | Mezzo-Soprano | Contralto | Da Capo Aria | 'Art Thou Troubled'

Dove Sono I Bei Momenti

Mozart

C | Austria | 18th Century | Classical | Opera | Aria | Marriage of Figaro | Solo | Soprano | Act III Scene 8

Dover Beach (7:41)

Barber Samuel

D Minor | America | 20th Century | Modern | Poem setting | Medium Voice and String Quartet | Op.3 | Matthew Arnold

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