The Bold Unbiddable Child (1:01)

Stanford Sir Charles Villiers

D Minor | Ireland | 20th Century | Modern | Art-song | Modern Art-song | Kunstlieder | Solos | A Sheaf Of Songs From Leinster | Op.140 No.5

The Bold Unbiddable Child (1:18)

Stanford Sir Charles Villiers

D Minor | Ireland | 20th Century | Modern | Art-song | Modern Art-song | Kunstlieder | Solos | A Sheaf Of Songs From Leinster | Op.140 No.5

The Call

Vaughan Williams Ralph

E Flat | England | 20th Century | Modern | Modern Art Song | Kunstlieder | Five Mystical Songs | No.4 | Solos | George Herbert

The Carol Collection (Traditional Keys) - Vol 1

15 Accompaniments, including:

Away In A Manger | Ding Dong Merrily On High | Good King Wenceslas | Hark The Herald Angels Sing | In Dulci Jubilo | O Come All Ye Faithful | O Little Town Of Bethlehem | Stille Nacht | The Holly And The Ivy

The Carol Collection (Traditional Keys) - Vol 2

12 Accompaniment tracks including:

Veni Immanuel (O Come, O Come, Emmanuel) | St Louis (O Little Town Of Bethlehem) | Noel (It Came Upon The Midnight Clear) | Come To The Manger | Once in Royal David's City | In The Bleak Midwinter

The Faithless Shepherdess

Quilter Roger

B Flat Minor | England | 20th Century | Romantic | Modern Art-song | Kunstlieder | Solos | Seven Elizabethan Lyrics Op. 12 No.4

The First Nowell (Comfortable Key)

Anon

A | 19th Century | England | Cornwall | Sacred | Carol | Choral | Christmas song | Hymn | Young voices | SATB | Winter | 4:28 | Carols in Comfortable Keys

The Grapes of Turpan Ripen (吐鲁番的葡萄熟了) (4:23)

Traditional Chinese

B Minor | China | 20th Century | Traditional | 吐鲁番的葡萄熟了 | Modern art-song | Kunstlieder | Solos

The Holly and the Ivy (Comfortable Key)

Anon

C | 16th Century | France | England | Secular | Carol | Choral | Christmas song | Young voices | Old French | SATB | Winter | 2:48 | Carols in Comfortable Keys

The Last Rose Of Summer

Britten Benjamin

E Flat | England | 20th Century | Modern | Modern Art-song | Kunstlieder | Solos | Thomas Moore | Folksong Arrangements | Vol.4 | No.9