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He Shall Feed His Flock-Come Unto Him

Handel

F-/BFlat | Germany | 18th Century | Arias | Solos | Baroque | Sacred | Alto | Soprano | Oratorio | Messiah Part One

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He Was Despised

Handel

E Flat | Germany | 18th Century | Baroque | Aria | Sacred | Solos | Alto | The Messiah | Part 2 No.23

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Heart The Seat Of Soft Delight (with guided recit)

Handel

E Flat | Germany | 18th Century | Baroque | Aria | Solos | Galatea | Acis and Galatea | Act 2

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Heart The Seat Of Soft Delight (with recit secco)

Handel

E Flat | Germany | 18th Century | Baroque | Aria | Solos | Galatea | Acis and Galatea | Act 2

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Heinlein (Forty Days and Forty Nights) (4vv)

Nurnbergisches Gesangbuch

D minor | Germany | 17th Century | Baroque | Hymn | Sacred | SATB | Lent | Unison

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Heinlein (Forty Days and Forty Nights) (6vv)

Nurnbergisches Gesangbuch

D minor | Germany | 17th Century | Baroque | Hymn | Sacred | SATB | Lent | Unison

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Herr, wenn ich nur Dich hab (Lord, when I have only You)

Buxtehude Dieterich

G Major | 17th Century | Denmark | Baroque | Cantata | Arias | Solos

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Honour And Arms

Handel

B Flat | Germany | 18th Century | Baroque | Aria | Oratorio | Samson | Part 2 | Scene 4 | Harapha | Bass | Solos

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How Beautiful Are The Feet (2:01)

Handel

G Minor | Germany | 18th Century | Baroque | Oratorio | Duet | Alto | Chorus | Messiah | Part 2 | Sc.5 | No.34/38 | Sacred

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How Beautiful Are The Feet (2:08)(lower)

Handel

F-Minor | 18th Century | Baroque | Arias | Sacred | Oratorio | Duet | Messiah | Part 2 | Sc.5 | No. 38 / 34

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