Period > Baroque

Wachet Auf, Ruft Uns Die Stimme (Zion Hears)

Bach J S

D | Germany | 18th Century | Baroque | Chorale | Hymns | SATB | Sacred | Unison | Lutheran | Riemenschneider

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Waft Her, Angels

Handel

G | 18th Century | Baroque | Arias | Sacred | Jephtha | Oratorio | Solos

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Waft Her, Angels

Handel

B Flat Major | 18th Century | England | Baroque | Oratorio | Arias | Solos | Sacred | Jephtha

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Waft Her, Angels

Handel

B Major | 18th Century | England | Baroque | Oratorio | Arias | Solos | Sacred | Jephtha

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Waft Her, Angels (Baroque Pitch)

Handel

G Flat | Germany | 18th Century | Baroque | Arias | Sacred | Oratorio | Jephtha | No 53 | Tenor

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Wann Kommst Du, Mein Heil?

Bach J S

C Minor | 18th Century | Germany | German | Wachet Auf, Ruft Uns die Stimme (Church Cantata) | BWV140 | 3 | Baroque | Arias | Duet | Duet: Soprano & Bass | Soul; Jesus | Anonymous, possibly Picander | based on the parable of The Ten Vvirgins | Matthew 25:1–13 | Wenn kömmst du, mein Heil? Ich komme, dein Teil. | 06:16

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We Sing To Him

Purcell Henry

G Minor | England | 17th Century | Baroque | Songs | Solos | Z199 | Nathaniel Ingelo | Harmonia Sacra | Vol 1 | Solos

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What A Sad Fate

Purcell Henry

A Minor | England | 17th Century | Baroque | Arias | Solos

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What Can We Poor Females Do

Purcell Henry

G Minor | England | 17th Century | Baroque | Duets | Soprano | Bass | from the Orpheus Britannicus

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What Power Art Thou, Who From Below

Purcell Henry

C Minor | England | 17th Century | Baroque | Arias | Opera | King Arthur | Act 3 | No.20 | Masque | The Frost Scene | The Cold Song | Cold Genius | Bass

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Period > Baroque

Wachet Auf, Ruft Uns Die Stimme (Zion Hears)

Bach J S

D | Germany | 18th Century | Baroque | Chorale | Hymns | SATB | Sacred | Unison | Lutheran | Riemenschneider

Waft Her, Angels

Handel

G | 18th Century | Baroque | Arias | Sacred | Jephtha | Oratorio | Solos

Waft Her, Angels

Handel

B Flat Major | 18th Century | England | Baroque | Oratorio | Arias | Solos | Sacred | Jephtha

Waft Her, Angels

Handel

B Major | 18th Century | England | Baroque | Oratorio | Arias | Solos | Sacred | Jephtha

Waft Her, Angels (Baroque Pitch)

Handel

G Flat | Germany | 18th Century | Baroque | Arias | Sacred | Oratorio | Jephtha | No 53 | Tenor

Wann Kommst Du, Mein Heil?

Bach J S

We Sing To Him

Purcell Henry

G Minor | England | 17th Century | Baroque | Songs | Solos | Z199 | Nathaniel Ingelo | Harmonia Sacra | Vol 1 | Solos

What A Sad Fate

Purcell Henry

A Minor | England | 17th Century | Baroque | Arias | Solos

What Can We Poor Females Do

Purcell Henry

G Minor | England | 17th Century | Baroque | Duets | Soprano | Bass | from the Orpheus Britannicus

What Power Art Thou, Who From Below

Purcell Henry

C Minor | England | 17th Century | Baroque | Arias | Opera | King Arthur | Act 3 | No.20 | Masque | The Frost Scene | The Cold Song | Cold Genius | Bass

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