Period > Baroque

Wie Zittern Und Wanken Der Sünder Gedanken

Bach J S

E Flat Major | 18th Century | Germany | German | Cantata | BWV 105 | No 3 | Baroque | Arias | Sacred | Solos | How the thoughts of sinners tremble and waver | Herr, gehe nicht ins Gericht mit deinem Knecht | 06:43

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Wir Eilen Mit Schwachen Doch Emsigen Schritten

Bach J S

B Flat | Germany | 18th Century | Baroque | Duets | Sacred | Church Cantata | Jesu, der du meine Seele | Soprano | Alto | BWV 78

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With Thee Th'Unshelter'd Moor I'd Tread

Handel

G | Germany | 18th Century | Baroque | Arias | Recitative | Oratorio | Solomon (HWV67) | Act 1 | Sc.2 | No.19 | No.20 | Nicaule, Queen of Sheba | Soprano | with recit 'When Thou Art Absent'

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Would You Gain The Tender Creature

Handel

G | Germany | 18th Century | Baroque | Arias | Opera | Acis and Galatea (HWV 49) | Serenata | Masque | No.15 | Damon | Tenor | John Gay

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Ynys Wen (Fairest Isle)

Purcell Henry

F Major | 17th Century | England | Great Britain | English | King Arthur | Z. 628 | Act V, final masque, No. 42 | Baroque | Arias | Opera | Solo | Secular | Venus | John Dryden | Ynys Wen, nad oes ei thebyg (The White Island, like unto which there is none) | 03:17

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Zerfliesse Mein Herz (With Tears Overflowing)

Bach J S

F Minor | Germany | 18th Century | Baroque | Sacred | Oratorio | Arias | Soprano | Solos | St John Passion

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Öffne dich mein ganzes Herze (Open yourself, my entire heart)

Bach J S

G Major | 17th Century | Germany | Baroque | Cantata | Solos | Sacred | Arias | Erdmann Neumeister | Nun komm, der Heiden Heiland (BWV 61) - Bach

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Period > Baroque

Wie Zittern Und Wanken Der Sünder Gedanken

Bach J S

E Flat Major | 18th Century | Germany | German | Cantata | BWV 105 | No 3 | Baroque | Arias | Sacred | Solos | How the thoughts of sinners tremble and waver | Herr, gehe nicht ins Gericht mit deinem Knecht | 06:43

Wir Eilen Mit Schwachen Doch Emsigen Schritten

Bach J S

B Flat | Germany | 18th Century | Baroque | Duets | Sacred | Church Cantata | Jesu, der du meine Seele | Soprano | Alto | BWV 78

With Thee Th'Unshelter'd Moor I'd Tread

Handel

G | Germany | 18th Century | Baroque | Arias | Recitative | Oratorio | Solomon (HWV67) | Act 1 | Sc.2 | No.19 | No.20 | Nicaule, Queen of Sheba | Soprano | with recit 'When Thou Art Absent'

Would You Gain The Tender Creature

Handel

G | Germany | 18th Century | Baroque | Arias | Opera | Acis and Galatea (HWV 49) | Serenata | Masque | No.15 | Damon | Tenor | John Gay

Ynys Wen (Fairest Isle)

Purcell Henry

F Major | 17th Century | England | Great Britain | English | King Arthur | Z. 628 | Act V, final masque, No. 42 | Baroque | Arias | Opera | Solo | Secular | Venus | John Dryden | Ynys Wen, nad oes ei thebyg (The White Island, like unto which there is none) | 03:17

Zerfliesse Mein Herz (With Tears Overflowing)

Bach J S

F Minor | Germany | 18th Century | Baroque | Sacred | Oratorio | Arias | Soprano | Solos | St John Passion

Öffne dich mein ganzes Herze (Open yourself, my entire heart)

Bach J S

G Major | 17th Century | Germany | Baroque | Cantata | Solos | Sacred | Arias | Erdmann Neumeister | Nun komm, der Heiden Heiland (BWV 61) - Bach

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