Genre > Da Capo Aria

Alma Mia (original)

Handel

D | Germany | 18th Century | Baroque | Opera | Arias | Solos | Floridante | Act 1 | Sc.2

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Angels Ever Bright And Fair

Handel

E Flat | Germany | 18th Century | Baroque | Oratorio | Arias | Solos | Soprano | Theodora | Da Capo Aria

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Angels Ever Bright And Fair (with recit:O Worse Than Death)

Handel

E Flat | Germany | 18th Century | Baroque | Oratorio | Sacred | Arias | Solos | Soprano | Theodora | Da Capo Aria

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Art Thou Troubled (Dove sei, amato bene) (high)

Handel

F | 18th Century | Baroque | Arias | Da Capo Aria | Opera | Rodelinda | Solos

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Bereitet Die Wege, Bereitet Die Bahn!

Bach J S

A | Germany | 18th Century | Baroque | Sacred | Cantata | Arias | Church Cantata | BWV 132 | Soprano | Solos | Aria Da Capo

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Cara Sposa (7:43)

Handel

D Minor | Germany | 18th Century | Baroque | Arias | Opera | Rinaldo | Da Capo Aria | Solos

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Col Piacer Della Mia Fede

Vivaldi

A | Italy | 18th Century | Baroque | Arias | Solos | Da Capo Aria | Nicandro | Arsilda, Regina di Ponto | Soprano | Domenico Lalli

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Com'onda Incalza Altr'onda

Handel

C Minor | 18th Century | England | Germany | English | Scipione | Opera | HWV 20 | Act II, Scene 3 | Baroque | Solos | Arias | Sacred | Lament | Da Capo Aria | Berenice | Antonio Salvi’s Publio Cornelio Scipione (1704); ultimately Livy, Ab Urbe Condita, Book 26 | 06:18

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Come, Ever Smiling Liberty (aria)

Handel

A | Germany | 18th Century | Baroque | Arias | Da Capo | Judas Maccabeus | Israelite Woman | Soprano

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Dove Sei Amato Bene (Prout ed.)

Handel

E | Germany | 18th Century | Baroque | Arias | Opera | Rodelinda | Mezzo-soprano | Contralto | Da Capo Aria | Art Thou Troubled

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Genre > Da Capo Aria

Alma Mia (original)

Handel

D | Germany | 18th Century | Baroque | Opera | Arias | Solos | Floridante | Act 1 | Sc.2

Angels Ever Bright And Fair

Handel

E Flat | Germany | 18th Century | Baroque | Oratorio | Arias | Solos | Soprano | Theodora | Da Capo Aria

Angels Ever Bright And Fair (with recit:O Worse Than Death)

Handel

E Flat | Germany | 18th Century | Baroque | Oratorio | Sacred | Arias | Solos | Soprano | Theodora | Da Capo Aria

Art Thou Troubled (Dove sei, amato bene) (high)

Handel

F | 18th Century | Baroque | Arias | Da Capo Aria | Opera | Rodelinda | Solos

Bereitet Die Wege, Bereitet Die Bahn!

Bach J S

A | Germany | 18th Century | Baroque | Sacred | Cantata | Arias | Church Cantata | BWV 132 | Soprano | Solos | Aria Da Capo

Cara Sposa (7:43)

Handel

D Minor | Germany | 18th Century | Baroque | Arias | Opera | Rinaldo | Da Capo Aria | Solos

Col Piacer Della Mia Fede

Vivaldi

A | Italy | 18th Century | Baroque | Arias | Solos | Da Capo Aria | Nicandro | Arsilda, Regina di Ponto | Soprano | Domenico Lalli

Com'onda Incalza Altr'onda

Handel

C Minor | 18th Century | England | Germany | English | Scipione | Opera | HWV 20 | Act II, Scene 3 | Baroque | Solos | Arias | Sacred | Lament | Da Capo Aria | Berenice | Antonio Salvi’s Publio Cornelio Scipione (1704); ultimately Livy, Ab Urbe Condita, Book 26 | 06:18

Come, Ever Smiling Liberty (aria)

Handel

A | Germany | 18th Century | Baroque | Arias | Da Capo | Judas Maccabeus | Israelite Woman | Soprano

Dove Sei Amato Bene (Prout ed.)

Handel

E | Germany | 18th Century | Baroque | Arias | Opera | Rodelinda | Mezzo-soprano | Contralto | Da Capo Aria | Art Thou Troubled

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